"By there comes a listless stranger": Gerard Manley Hopkins's "Epithalamion" as a Poem of Queer (Non)performance.Published in:Victorian Poetry, 2020, v. 58, n. 1, p. 93, doi. 10.1353/vp.2020.0004By:O'Connor, EugenePublication type:Article
Percy Shelley, James Russell Lowell, and the Promethean Aesthetics of EBB's "The Runaway Slave at Pilgrim's Point".Published in:Victorian Poetry, 2020, v. 58, n. 1, p. 53, doi. 10.1353/vp.2020.0002By:Harrison, Antony H.Publication type:Article
Gems by the Thousands: Hoarding Poetry in the Late Nineteenth Century.Published in:Victorian Poetry, 2020, v. 58, n. 1, p. 73, doi. 10.1353/vp.2020.0003By:Legette, CasiePublication type:Article
Falling into Hope: Wisdom Poetry and the Reinterpretation of Suffering in Elizabeth Barrett Browning's A Drama of Exile.Published in:2020By:Dyck, DenaePublication type:Literary Criticism
Contributors.Published in:Victorian Poetry, 2020, v. 58, n. 1, p. 105, doi. 10.1353/vp.2020.0005Publication type:Article
"Dante-on-Steroids": "English Terza" and Elizabeth Barrett Browning's Casa Guidi Windows.Published in:Victorian Poetry, 2020, v. 58, n. 1, p. 1, doi. 10.1353/vp.2020.0000By:Goldstein, OliverPublication type:Article