Fretted Lines: Di-versification in Augusta Webster's Dramatic Monologues.Published in:2017By:TUCKER, HERBERT F.Publication type:Poetry Review
Freaks of Femininity: Webster's Gallery of Female Grotesques in Portraits.Published in:2017By:LUU, HELENPublication type:Poetry Review
"We Should Be That Iago": Counterfactual Sympathy and the Lyric "We" in Augusta Webster's Portraits and A Housewife's Opinions.Published in:2017By:MADDEN, CAOLANPublication type:Literary Criticism
"A Sensation of the Action": The Inscription of Performance in the Verse Dramas of Augusta Webster.Published in:2017By:STEFFES, ANNMARIEPublication type:Poetry Review
The Limits of Liberty: Gender, Power, and Freedom in Augusta Webster's In a Day.Published in:2017By:OLVERSON, T. D.Publication type:Poetry Review
A "Strange Second Flowering" and the "Second Heart": Reimagined Modes of Aestheticism and Romanticism in Augusta Webster's Yu-Pe-Ya's Lute.Published in:2017By:O'BRIEN, LEEPublication type:Poetry Review
Introduction.Published in:Victorian Poetry, 2017, v. 55, n. 1, p. 1, doi. 10.1353/vp.2017.0000By:RIGG, PATRICIAPublication type:Article