Dante Gabriel Rossetti's "Absurd," Antiquarian, and "Modern-Antique" Medievalism(s): Girlhood of Mary Virgin, The Bride's Prelude, and "Stratton Water".Published in:2013By:BENTLEY, D. M. R.Publication type:Poetry Review
Meter and Context: Hardy's "Neutral Tones".Published in:2013By:HUGHES, JOHNPublication type:Poetry Review
Two Clocks: Aurora Leigh, Poetic Form, and the Politics of Timeliness.Published in:2013By:MULLEN, MARYPublication type:Poetry Review
Tennyson's Maud (1855) and the "unmeaning of names": Geology, Language Theory, and Dialogics.Published in:2013By:GERIC, MICHELLEPublication type:Poetry Review
"The life of such dead things": Psychological Obsession in Swinburne's "Félise".Published in:2013By:TORTI, MEGANPublication type:Poetry Review
The Irony of Swinburne's Atalanta in Calydon.Published in:2013By:BARR, ALAN P.Publication type:Poetry Review