De l'oralite a l'oralite: le recit bref au Canada francais (1990-2000).Published in:2000By:Olscamp, MarcelPublication type:Literary Criticism
"Voice Is Everything": Reading Mavis Gallant's "The Pegnitz Junction."Published in:University of Toronto Quarterly, 2000, v. 69, n. 4, p. 891, doi. 10.3138/utq.69.4.891By:Wilkshire, ClairePublication type:Article
<<Il n'y a que des cauchemars et dans angoisses, des delires...>> Lecture de la nouvelle fantastique et de science-fiction quebecoise depuis 1980.Published in:2000By:Beaule, SophiePublication type:Literary Criticism
Temporality and Margaret Atwood.Published in:University of Toronto Quarterly, 2000, v. 69, n. 4, p. 849, doi. 10.3138/utq.69.4.849By:Ridout, AlicePublication type:Article
Reponses plurielles: la nouvelle quebecoise au feminin (1980-2000).Published in:2000By:Dansereau, EstellePublication type:Literary Criticism
Alice Munro and Charlotte Brontë.Published in:2000By:Garson, MarjoriePublication type:Literary Criticism
Ecrire des nouvelles fantastiques au Quebec : ecrire dans une triple marginalite.Published in:2000By:Carpentier, AndrePublication type:Literary Criticism
The Short Story as Miniature: Barry Callagan's "The Black Queen" and Gloria Sawai's "The Day I Sat with Jesus on the Sundeck and a Wind Came Up and Blew My Kimono Open and He Saw My Breasts."Published in:2000By:Trussler, MichaelPublication type:Literary Criticism
Aspects de la nouvelle contemporaine au Quebec.Published in:2000By:Berthiaume, AndrePublication type:Literary Criticism