A "PRIVATE PUBLIC": TALFOURD'S ION BEFORE PERFORMANCE AND THE EVIDENCE OF THE HUNTINGTON LETTERS.Published in:2021By:BUTCHER, CHRISTOPHERPublication type:Literary Criticism
'CONSONANT WITH SCENES OF REAL LIFE': POACHERS AND THE GAME LAWS ON THE NINETEENTH-CENTURY STAGE.Published in:Theatre Notebook, 2021, v. 75, n. 2, p. 94By:RIDGWELL, STEPHENPublication type:Article
Marie Duval: Maverick Victorian Cartoonist.Published in:2021By:D'Arcy, GeraintPublication type:Book Review
Bernard Shaw and the Censors: Fights and Failures, Stage and Screen.Published in:2021By:Etienne, AnnePublication type:Book Review
The Methuen Drama Handbook of Theatre History and Theatre Historiography/The Routledge Companion to Theatre and Performance Historiography.Published in:2021By:Davis, JimPublication type:Book Review
"THUS LET ME WIPE DISHONOUR FROM MY NAME": PEG WOFFINGTON AS LOTHARIO IN THE FAIR PENITENT.Published in:Theatre Notebook, 2021, v. 75, n. 2, p. 76By:RUBERY, ANNETTEPublication type:Article