FANNY KEMBLE'S DUAL CONSCIOUSNESS: MEMOIR AND PERFORMANCE THEORY.Published in:Theatre Notebook, 2018, v. 72, n. 3, p. 126By:QUIRK, CATHERINEPublication type:Article
Shakespeare, Race and Performance: The Diverse Bard.Published in:2018By:Linton, DavidPublication type:Book Review
Giovanna Sestini: An Italian Opera Singer in Eighteenth Century London.Published in:2018By:Conway, CiaraPublication type:Book Review
LADY RANDOLPH CHURCHILL'S "TREMENDOUS, RIDICULOUS, COSTLY HATS": A MATERIAL CULTURE APPROACH TO HIS BORROWED PLUMES.Published in:Theatre Notebook, 2018, v. 72, n. 3, p. 165By:DAYTON, HOLLYPublication type:Article
AUTHORING THE ENVIRONMENT: LANDSCAPES, CROWDS AND COMMUNALITY IN LOUIS NAPOLEON PARKER'S EDWARDIAN PAGEANTS.Published in:Theatre Notebook, 2018, v. 72, n. 3, p. 141By:STOKES, SHILARNAPublication type:Article