ERRATM: FROM ENARGEIA TO IMMERSION: THE ANCIENT ROOTS OF A MODERN CONCEPT.Published in:2017Publication type:Correction Notice
The Submerged Plot and the Mother's Pleasure from Jane Austen to Arundhati Roy.Published in:2017By:KIND, LEAH A.Publication type:Book Review
Introduction to Ethical Literary Criticism.Published in:2017By:YANG GEXINPublication type:Book Review
Joyce's Creative Process and the Construction of Character in Ulysses.Published in:2017By:CREASY, MATTHEWPublication type:Book Review
Transmedial Narratology and Contemporary Media Culture.Published in:2017By:HORSTMANN, JANPublication type:Book Review
Delving into the Narratological "Toolbox": Concepts and Categories in Narrative Theory.Published in:Style, 2017, v. 51, n. 2, p. 228, doi. 10.1353/sty.2017.0016By:Dawson, PaulPublication type:Article
"Play, utopia or anguish"? Accounting for the Persistence of the Discourse against Slander from the Middle Ages to the Early Modern Period.Published in:Style, 2017, v. 51, n. 2, p. 207, doi. 10.1353/sty.2017.0015By:Parageau, SandrinePublication type:Article
Readings in Temporal Poetics: Four Poems by William Carlos Williams.Published in:2017By:Cureton, RichardPublication type:Poetry Review
Her "whole soul was ear": Novel Sound, Experimental Music, and Artistic Community in Mary Shelley's The Last Man.Published in:2017By:Tooman, ZacharyPublication type:Literary Criticism
The Suffusion of the Televisual in The Crying of Lot 49.Published in:2017By:Watson, Jacob T.Publication type:Literary Criticism
Joint Functioning of Two Parallel Trajectories of Signification: Ambrose Bierce's "A Horseman in the Sky".Published in:2017By:Dan ShenPublication type:Short Story Review