Smooth Structures: Narrative Form as Ethical Contact in Willa Cather's Death Comes for the Archbishop.Published in:Style, 2013, v. 47, n. 3, p. 364By:Hollenberg, AlexanderPublication type:Article
Henry James Goes to Paris/Henry James and the Second Empire.Published in:2013By:Walker, Pierre A.Publication type:Book Review
Henry James in Mid-Career: "Georgina's Reasons" and the Possibilities of Style.Published in:2013By:Jolly, RoslynPublication type:Essay
Such Stuff as Dreams: The Psychology of Fiction.Published in:2013By:Bachman, Maria K.Publication type:Book Review
A Biocultural Approach to Literary Theory and Interpretation.Published in:2013By:Storey, RobertPublication type:Book Review
In a Dark Time: Coetzee's Disgrace.Published in:Style, 2013, v. 47, n. 3, p. 334By:Meyers, JeffreyPublication type:Article
When "Surge" Signifies Rapid Increases of American Combatants Sent to Foreign Warfare: Classical Enargeia for Contemporary Metaphor.Published in:Style, 2013, v. 47, n. 3, p. 316By:Carpenter, Ronald H.Publication type:Article
Narrative Beginnings: Theories and Practices/Narrative Middles: Navigating the Nineteenth-Century British Novel.Published in:2013By:Alber, JanPublication type:Book Review
The Human Species and the Good Gripping Dreams of H.G. Wells.Published in:Style, 2013, v. 47, n. 3, p. 296By:Jonsson, EmeliePublication type:Article
What the Brain Sciences Might tell us About our Making of and Engaging with Strange Fictions.Published in:Style, 2013, v. 47, n. 3, p. 283By:Aldama, Frederick LuisPublication type:Article
Where Do Conventions Come from? Constraints or Plasticity of the Human Brain Follow-up Note.Published in:Style, 2013, v. 47, n. 3, p. 275By:Tsur, ReuvenPublication type:Article