"AND IT HAD EVERYTHING IN IT": BUILDING STORIES, COMICS, AND THE BOOK OF THE FUTURE.Published in:2015By:KASHTAN, AARONPublication type:Book Review
"AFTER THE/UNAUTHOR": FRAGMENTED AUTHOR FUNCTIONS IN TOM PHILLIPS'S A HUMUMENT.Published in:2015By:PFAHL, COURTNEY A.Publication type:Book Review
THE MONSTROUS ALCHEMY OF ALAN MOORE: PROMETHEA AS LITERACY NARRATIVE.Published in:2015By:HOWELL, TRACEE L.Publication type:Book Review
EMBRACING DIONYSIUS IN ALAN MOORE'S SWAMP THING.Published in:2015By:SMITH, MICHAELPublication type:Literary Criticism
LOSS, REVISION, TRANSLATION: RE-MEMBERING THE FATHER'S FRAGMENTED SELF IN ALISON BECHDEL'S GRAPHIC MEMOIR FUN HOME: A FAMILY TRAGICOMIC.Published in:2015By:TISON, HÉLÈNEPublication type:Literary Criticism
PUTTING THE GRAPHIC IN GRAPHIC NOVEL: P. CRAIG RUSSELL'S ADAPTATION OF NEIL GAIMAN'S CORALINE.Published in:2015By:HARRIS-FAIN, DARRENPublication type:Literary Criticism
SERIALIZATION AND EMPIRE IN NEIL GAIMAN'S THE SANDMAN.Published in:2015By:MELLETTE, JUSTINPublication type:Literary Criticism
NEIL GAIMAN'S SANDMAN AS A GATEWAY FROM COMIC BOOKS TO GRAPHIC NOVELS.Published in:2015By:CAMUS, CYRILPublication type:Literary Criticism
EXPANDING THE ROLE OF THE GUTTER IN NONFICTION COMICS: FORGED MEMORIES IN JOE SACCO'S SAFE AREA GORAŽDE.Published in:2015By:ACHESON, CHARLESPublication type:Literary Criticism
INTRODUCTION.Published in:Studies in the Novel, 2015, v. 47, n. 3, p. 285, doi. 10.1353/sdn.2015.0041By:TABACHNICK, STEPHEN E.Publication type:Article