The Unsung Artistry of George Orwell: The Novels from Burmese Days to Nineteen Eighty-Four.Published in:2011By:CLARKE, BENPublication type:Book Review
The Speed Handbook: Velocity, Pleasure, Modernism/Consuming Traditions: Modernity, Modernism, and the Commodified Authentic.Published in:2011By:GOLDSTONE, ANDREWPublication type:Book Review
The Persistence of Modernism: Loss and Mourning in the Twentieth Century.Published in:2011By:TAYLOR, ROD C.Publication type:Book Review
A SET OF FOUR: NEW STUDIES OF THE NOVELS OF JOSEPH CONRAD.Published in:2011By:LESTER, JOHNPublication type:Book Review
BRITISH CULTURE AT MID-CENTURY: WARTIME WRITING AND INTERMODERNISM.Published in:2011By:BIXBY, PATRICKPublication type:Book Review
HISTORIOGRAPHY AND THE MATERIAL IMAGINATION IN THE NOVELS OF SARAH WATERS.Published in:2011By:BOEHM, KATHARINAPublication type:Essay
CORMAC MCCARTHY'S THE ROAD AS APOCALYPTIC GRAIL NARRATIVE.Published in:2011By:COOPER, LYDIAPublication type:Literary Criticism
ASSIMILATION AFTER EMPIRE: MARINA LEWYCKA, PAUL GILROY, AND THE ETHNIC BILDUNGSROMAN IN CONTEMPORARY BRITAIN.Published in:2011By:FIELDING, HEATHERPublication type:Literary Criticism
"GLADSTONE BAGS, SHOOTING BOOTS, AND BRYANT & MAY'S MATCHES": EMPIRE, COMMERCE, AND THE IMPERIAL ROMANCE IN THE GRAPHIC'S SERIALIZATION OF H. RIDER HAGGARD'S SHE.Published in:2011By:REID, JULIAPublication type:Essay
"EVERYTHING IS GOING TO SIXES AND SEVENS": GOVERNING THE FEMALE BODY (POLITIC) IN JANE AUSTEN'S CATHARINE, OR THE BOWER (1792).Published in:2011By:LEFFEL, JOHN C.Publication type:Essay