THE WHITE FEMALE AS EFFIGY AND THE BLACK FEMALE AS SURROGATE IN JANET SCHAW'S JOURNAL OF A LADY OF QUALITY AND JANE AUSTEN'S MANSFIELD PARK.Published in:2014By:Wallace, David ShanePublication type:Literary Criticism
"NOTHING BUT HUMAN": RIGHTING THE RIGHTLESS IN MARY WOLLSTONECRAFT'S MARIA.Published in:2014By:Sherman, DevonPublication type:Literary Criticism
COMPARATIVE GENDER IN MARIA EDGEWORTH'S BELINDA.Published in:2014By:Chalk, Dannie LeighPublication type:Literary Criticism
"HER MIND HAD THE HAPPY ART": ACTING SENSIBILITY IN ANN RADCLIFFE'S ROMANCE OF THE FOREST.Published in:2014By:Richards, KatherinePublication type:Literary Criticism
THE PROBLEM WITH BINARIES: BALANCING REASON, EMOTION, BODY, AND MIND IN A SIMPLE STORY.Published in:2014By:Decker, Sharon L.Publication type:Literary Criticism
THE SIGN OF A WOMAN: FEMININITY AS FICTION IN THE HISTORY OF MISS BETSY THOUGHTLESS.Published in:2014By:Jennings, KristinePublication type:Literary Criticism
"DEADLY SNARES": FEMALE RIVALRY, GENDER IDEOLOGY, AND EIGHTEENTH-CENTURY WOMEN WRITERS.Published in:2014By:Johnston, ElizabethPublication type:Literary Criticism
INTRODUCTION.Published in:Studies in the Literary Imagination, 2014, v. 47, n. 2, p. vi, doi. 10.1353/sli.2014.0007By:Jennings, KristinePublication type:Article
VIOLENCE, FEMALE FRIENDSHIP, AND THE EDUCATION OF THE HEROINE IN MARY DAVYS'S THE REFORM'D COQUET.Published in:2014By:Stahl, Jan M.Publication type:Literary Criticism