KRISTEVA BEFORE KRISTEVA: GENDER AND CREATIVITY IN RUSSIAN SYMBOLISM.Published in:Studies in the Literary Imagination, 2014, v. 47, n. 1, p. 149, doi. 10.1353/sli.2014.0003By:Ekonen, KirstiPublication type:Article
KRISTEVA, INTERTEXTUALITY, AND RE-IMAGINING "THE MAD WOMAN IN THE ATTIC".Published in:2014By:Butler, KristyPublication type:Essay
READING KRISTEVA WITH KRISTEVA.Published in:2014By:Yeung, Heather H.Publication type:Literary Criticism
MOONLIT MIRRORS, BLOODY CHAMBERS, AND TENDER WOLVES: IDENTITY AND SEXUALITY IN ANGELA CARTER'S "WOLF-ALICE".Published in:2014By:Jennings, KristinePublication type:Short Story Review
ABJECTED LANDSCAPES: CROSSING PSYCHOGENIC BORDERS IN ANGELA CARTER'S THE PASSION OF NEW EVE.Published in:2014By:Welby, LizzyPublication type:Literary Criticism
WRITING HISTORY INTIMATELY: THE HOUSE OF JACOB, THE QUEST FOR HOME, AND THE OTHER LANGUAGE.Published in:2014By:Margaroni, MariaPublication type:Literary Criticism
PARADISE LOST: RECONCILING THE SEMIOTIC AND SYMBOLIC IN TONI MORRISON'S LOVE.Published in:2014By:Stephanie LiPublication type:Literary Criticism
THE MONSTROUS CROSSROADS OF KRISTEVA'S TEXTUAL PRACTICE.Published in:Studies in the Literary Imagination, 2014, v. 47, n. 1, p. 1, doi. 10.1353/sli.2014.0001By:Kołoszyc, DawidPublication type:Article
INTRODUCTION.Published in:Studies in the Literary Imagination, 2014, v. 47, n. 1, p. v, doi. 10.1353/sli.2014.0018By:Terzieva-Artemis, RossitsaPublication type:Article