Gendered Incongruities in the Silenced Voice of Pre-Raphaelite Paintings: A. S. Byatt's "Morpho Eugenia."Published in:2010By:Andres, SophiaPublication type:Literary Criticism
Voicing the Past: Aural Sensibility, the Weaver-poet, and George Eliot's "Erinna."Published in:2010By:Hadjiafxendi, KyriakiPublication type:Essay
Piece Work: Mosaic, Feminine Influence, and Charlotte Yonge's "Beechcroft at Rockstone."Published in:2010By:Zakreski, PatriciaPublication type:Literary Criticism
"Is there no work in hand?": The Idle Son Theme at Midcentury.Published in:Studies in the Literary Imagination, 2010, v. 43, n. 1, p. 49By:Sanders, Valerie R.Publication type:Article
Life Slips: Work, Love, and Gender in John Constable's Correspondence.Published in:2010By:Broughton, Trev LynnPublication type:Essay
"What an Impotent Picture!": William Gladstone, General Gordon, and the Politics of Masculinity in Robert Louis Stevenson's "Prince Otto."Published in:2010By:Buckton, Oliver S.Publication type:Essay
The Work of Gender in Nineteenth-Century British Culture.Published in:Studies in the Literary Imagination, 2010, v. 43, n. 1, p. vBy:Danahay, Martin A.Publication type:Article