A Theory of Southern Time and Space: Memory, Place and Identity in Natasha Trethewey’s Native Guard.
- Published in:
- Southern Quarterly, 2021, v. 58, n. 3, p. 94
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- Publication type:
- Article
Works matching IS 00384496 AND DT 2021 AND VI 58 AND IP 3
Results: 9
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Bearing Witness: Zora Neale Hurston’s Barracoon: The Story of the Last “Black Cargo” and the Ethical Power of Testimony.
- Published in:
- Southern Quarterly, 2021, v. 58, n. 3, p. 75
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- Article
3
Haunting Back: A Study of Spectrality in Jesmyn Ward’s Sing, Unburied, Sing.
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- Southern Quarterly, 2021, v. 58, n. 3, p. 113
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- Article
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An Ecocritical Reading of the Marsh as a Liminal Space in Delia Owens’s Where the Crawdads Sing.
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- Southern Quarterly, 2021, v. 58, n. 3, p. 131
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- Article
5
Guest Editor’s Introduction: Why Doing? Why Europe?
- Published in:
- Southern Quarterly, 2021, v. 58, n. 3, p. 5
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- Article
6
Faulkner Across the Pond: The State of European Faulkner Studies.
- Published in:
- Southern Quarterly, 2021, v. 58, n. 3, p. 10
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- Article
7
A Tender Returnee: Saidiya Hartman’s Lose Your Mother and Olga Tokarczuk’s Tender Narrator.
- Published in:
- Southern Quarterly, 2021, v. 58, n. 3, p. 55
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- Publication type:
- Article
8
“Mississippi You’re on My Mind”: Stoney Edwards and the Complex Interplay of Race and Region in 1970s Country Music.
- Published in:
- Southern Quarterly, 2021, v. 58, n. 3, p. 151
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- Publication type:
- Article
9
Pointing Fingers?: Massive Resistance and German Reactions to the Little Rock Crisis, 1957.
- Published in:
- Southern Quarterly, 2021, v. 58, n. 3, p. 34
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- Publication type:
- Article