Works matching IS 00371998 AND DT 1992 AND VI 89 AND IP 1-3
Results: 18
McLuhan's media.
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- Semiotica, 1992, v. 89, n. 1-3, p. 267
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On the meaning of empty words.
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- Semiotica, 1992, v. 89, n. 1-3, p. 257
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Music semiotics and literary theory: The influence of Iser on the analysis of opera.
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- Semiotica, 1992, v. 89, n. 1-3, p. 247
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Bakhtin's polyphony in cultural criticism and film.
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- Semiotica, 1992, v. 89, n. 1-3, p. 241
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Film as text/text as film.
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- Semiotica, 1992, v. 89, n. 1-3, p. 233
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Nebulous city signs.
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- Semiotica, 1992, v. 89, n. 1-3, p. 227
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Architectonic inquiry.
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- Semiotica, 1992, v. 89, n. 1-3, p. 215
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Language and beyond: Theory of metaphor as a theory of art.
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- Semiotica, 1992, v. 89, n. 1-3, p. 205
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Is revolution possible?
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- Semiotica, 1992, v. 89, n. 1-3, p. 193
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Pour une théorie entièrement rhétorique de la lecture du texte littéraire.
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- Semiotica, 1992, v. 89, n. 1-3, p. 157
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Marginal semiotics.
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- Semiotica, 1992, v. 89, n. 1-3, p. 129
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Philosophical and metaphorical aspects of language.
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- Semiotica, 1992, v. 89, n. 1-3, p. 117
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The sign and its masters: Revisiting Sebeok's masterpiece in its Italian version.
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- Semiotica, 1992, v. 89, n. 1-3, p. 103
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To read or not to read: Deconstruction and reader-oriented criticism.
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- Semiotica, 1992, v. 89, n. 1-3, p. 89
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Eco's limits.
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- Semiotica, 1992, v. 89, n. 1-3, p. 83
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The sign of a tale: The literary symbol in a classroom context.
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- Semiotica, 1992, v. 89, n. 1-3, p. 35, doi. 10.1515/semi.1992.89.1-3.35
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Psychosemiotic transformation in the arts.
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- Semiotica, 1992, v. 89, n. 1-3, p. 25, doi. 10.1515/semi.1992.89.1-3.25
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Theatrical conventions: A semiotic approach.
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- Semiotica, 1992, v. 89, n. 1-3, p. 1, doi. 10.1515/semi.1992.89.1-3.1
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