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Erzählungen vom kleinen Widerstand im großen Kino. Hans Falladas Jeder stirbt für sich allein (1947) und Alfred Vohrers Verfilmung.
- Published in:
- Seminar -- A Journal of Germanic Studies, 2020, v. 56, n. 1, p. 1, doi. 10.3138/seminar.56.1.1
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- Publication type:
- Article
The Allegorical Image and Presence in Paul Celan's "Wortaufschüttung".
- Published in:
- Seminar -- A Journal of Germanic Studies, 2020, v. 56, n. 1, p. 22, doi. 10.3138/seminar.56.1.2
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- Article
The Missing "Confessions of a Plagiarist": Intermedial Borrowings in Friedrich Dürrenmatt's Der Besuch der alten Dame (1956).
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- Seminar -- A Journal of Germanic Studies, 2020, v. 56, n. 1, p. 37, doi. 10.3138/seminar.56.1.3
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- Article
Facing East: Orientalism and Anti-Semitism in Heine's Hebräische Melodien.
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- Seminar -- A Journal of Germanic Studies, 2020, v. 56, n. 1, p. 55, doi. 10.3138/seminar.56.1.4
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- Article
Fritz Bennett in India: Intercultural Theatre with Breach and Shakespeare.
- Published in:
- 2020
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- Publication type:
- Book Review
The Technological Introject: Friedrich Kittler between Implementation and the Incalculable.
- Published in:
- 2020
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- Publication type:
- Book Review
Screening Art: Modernist Aesthetics and the Socialist Imaginary in East German Cinema.
- Published in:
- 2020
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- Publication type:
- Book Review
White Rebels in Black: German Appropriation of Black Popular Culture.
- Published in:
- 2020
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- Publication type:
- Book Review