Fluctuating layers: Scott Barley's Sleep Has Her House and Simondon's philosophy of individuation.
- Published in:
- Screen, 2023, v. 64, n. 2, p. 213, doi. 10.1093/screen/hjad020
- By:
- Publication type:
- Article
Works matching IS 00369543 AND DT 2023 AND VI 64 AND IP 2
Results: 8
1
2
In a sea of binary algae: Marker's Level Five as non-representational documentary.
- Published in:
- Screen, 2023, v. 64, n. 2, p. 169, doi. 10.1093/screen/hjad019
- By:
- Publication type:
- Article
3
Feminist histories of costuming film: Gordon Conway, 1930s British cinema and the collaborative world of Mayfair sewing.
- Published in:
- Screen, 2023, v. 64, n. 2, p. 141, doi. 10.1093/screen/hjad017
- By:
- Publication type:
- Article
4
Iron patriotism, xuexing-masculinism, wode-ism: from Iron Soldiers to Wolf Warriors.
- Published in:
- Screen, 2023, v. 64, n. 2, p. 187, doi. 10.1093/screen/hjad018
- By:
- Publication type:
- Article
5
Contributors.
- Published in:
- Screen, 2023, v. 64, n. 2, p. 257, doi. 10.1093/screen/hjad023
- Publication type:
- Article
6
Odile Goerg, Tropical Dream Palaces: Cinema in Colonial West Africa, trans. Melissa Thackway.
- Published in:
- 2023
- By:
- Publication type:
- Book Review
7
The spirit of the local in translocal film collaboration in Asia: From Ten Years Hong Kong to the Ten Years International Project.
- Published in:
- Screen, 2023, v. 64, n. 2, p. 233, doi. 10.1093/screen/hjad016
- By:
- Publication type:
- Article
8
Lee Wallace, Reattachment Theory: Queer Cinema of Remarriage (a Camera Obscura book).
- Published in:
- 2023
- By:
- Publication type:
- Book Review