Thomas Elsaesser, European Cinema and Continental Philosophy: Film as Thought Experiment.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
Works matching IS 00369543 AND DT 2020 AND VI 61 AND IP 4
Results: 18
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Patrick Keating, The Dynamic Frame: Camera Movement in Classical Hollywood (Film and Culture Series).
- Published in:
- 2020
- By:
- Publication type:
- Book Review
3
Merrie Snell, Lipsynching (Study of Sound Series).
- Published in:
- 2020
- By:
- Publication type:
- Book Review
4
Towards an-iconology: the image as environment.
- Published in:
- Screen, 2020, v. 61, n. 4, p. 594, doi. 10.1093/screen/hjaa060
- By:
- Publication type:
- Article
5
Togetherness?
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
6
Contributors.
- Published in:
- Screen, 2020, v. 61, n. 4, p. 676, doi. 10.1093/screen/hjab001
- Publication type:
- Article
7
Ann duCille, Technicolored: Reflections on Race in the Time of TV.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
8
Nilo Couret, Mock Classicism: Latin American Film Comedy, 1930–1960.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
9
Ben Lamb, You're Nicked: Investigating British Television Police Series.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
10
Absorbed in experience: new perspectives on immersive media Introduction.
- Published in:
- Screen, 2020, v. 61, n. 4, p. 586, doi. 10.1093/screen/hjaa054
- By:
- Publication type:
- Article
11
Prosthetic architectures of the senses: museums and immersion.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
12
Interview with Alejandro G. Iñárritu.
- Published in:
- 2020
- By:
- Publication type:
- Interview
13
Brews and brows: shaping stories from eyebrows to scousebrows.
- Published in:
- Screen, 2020, v. 61, n. 4, p. 646, doi. 10.1093/screen/hjaa055
- By:
- Publication type:
- Article
14
'Real-time' virtual reality and the limits of immersion.
- Published in:
- Screen, 2020, v. 61, n. 4, p. 615, doi. 10.1093/screen/hjaa058
- By:
- Publication type:
- Article
15
Everything we are seeing we have already seen: citation in the cinema of Raúl Ruiz.
- Published in:
- Screen, 2020, v. 61, n. 4, p. 568, doi. 10.1093/screen/hjaa053
- By:
- Publication type:
- Article
16
Italian neorealism and the 'woman's film': Selznick, De Sica and Stazione Termini.
- Published in:
- Screen, 2020, v. 61, n. 4, p. 505, doi. 10.1093/screen/hjaa050
- By:
- Publication type:
- Article
17
Politics of indeterminacy: utopia and crisis in the essay film.
- Published in:
- Screen, 2020, v. 61, n. 4, p. 525, doi. 10.1093/screen/hjaa052
- By:
- Publication type:
- Article
18
The queer underside of La dolce vita: towards an 'anal theory' of looking.
- Published in:
- Screen, 2020, v. 61, n. 4, p. 545, doi. 10.1093/screen/hjaa051
- By:
- Publication type:
- Article