'A camera from the time of the British': film technologies and aesthetic exclusion in Pakistani cinema.Published in:Screen, 2016, v. 57, n. 4, p. 496, doi. 10.1093/screen/hjw051By:KIRK, GWENDOLYNPublication type:Article
Performance Projections: Film and the Body in Action.Published in:2016By:DONALDSON, LUCY FIFEPublication type:Book Review
Parallel Lines: Post-9/11 American Cinema.Published in:2016By:RAMSAY, DEBRAPublication type:Book Review
The End of Cinema? A Medium in Crisis in the Digital Age.Published in:2016By:JACOBSON, BRIAN R.Publication type:Book Review
Mirrors of movement: Aina, Afzal Chowdhury's cinematography and the interlinked histories of cinema in Pakistan and Bangladesh.Published in:2016By:HOEK, LOTTEPublication type:Essay
Lineages of Pakistan's 'Urdu' cinema: mode, mood and genre in Zehr-e Ishq/Poison of Love (1958).Published in:2016By:DADI, IFTIKHARPublication type:Film/TV Criticism and Review
Explorations into Pakistani cinema: introduction.Published in:2016By:AHMAD, ALI NOBILPublication type:Essay
'Crazy Clown Time' and David Lynch's parties.Published in:2016By:HOLLAND, TIMOTHYPublication type:Music Video Review
Literary images: towards a phenomenology of cinematic writing.Published in:2016By:ISAACS, BRUCEPublication type:Essay
Interiority, identity and the limits of knowledge in documentary film.Published in:2016By:AUSTIN, THOMASPublication type:Essay
Filming disorganized attachment.Published in:2016By:DUSCHINSKY, ROBBIE;REIJMAN, SOPHIEPublication type:Essay