Film, landscape and political aesthetics: Deseret.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching IS 00369543 AND DT 2016 AND VI 57 AND IP 1
Results: 13
1
2
Mediality, materiality, narrative: successive incarnations of a special effect in Vanishing Point and Death Proof.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
3
The Stephen Dwoskin dossier: Introduction.
- Published in:
- Screen, 2016, v. 57, n. 1, p. 71, doi. 10.1093/screen/hjw006
- By:
- Publication type:
- Article
4
The digital uncanny and ghost effects.
- Published in:
- 2016
- By:
- Publication type:
- Essay
5
Ballet Black.
- Published in:
- Screen, 2016, v. 57, n. 1, p. 80, doi. 10.1093/screen/hjw012
- By:
- Publication type:
- Article
6
Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File Sharing.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
7
The Age of New Waves: Art Cinema and the Staging of Globalization.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
8
The lonely crowd: Dwoskin, Durgnat and the London Film-Makers' Co-op.
- Published in:
- Screen, 2016, v. 57, n. 1, p. 87, doi. 10.1093/screen/hjw011
- By:
- Publication type:
- Article
9
Dwoskin, centripetal and centrifugal.
- Published in:
- 2016
- By:
- Publication type:
- Essay
10
To independent filmmakers: Stephen Dwoskin and 'he international free cinema'.
- Published in:
- Screen, 2016, v. 57, n. 1, p. 95, doi. 10.1093/screen/hjw013
- By:
- Publication type:
- Article
11
Educating Film-makers Past, Present and Future.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
12
Experimental Latin American Cinema: History and Aesthetics.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
13
Networked selves: Ryan Trecartin and Lizzie Fitch's postcinematic aesthetics.
- Published in:
- 2016
- By:
- Publication type:
- Essay