‘The miracle of our century’: Sergei Eisenstein, Élie Faure and colour in the Silly Symphonies.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 383, doi. 10.1093/screen/hjq046
- By:
- Publication type:
- Article
Works matching IS 00369543 AND DT 2010 AND VI 51 AND IP 4
Results: 21
1
2
Inventing Film Studies.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
3
The Colour dossier Introduction: the mutability of colour space.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 379, doi. 10.1093/screen/hjq047
- By:
- Publication type:
- Article
4
Moving Viewers: American Film and the Spectator's ExperienceEmbodied Visions: Evolution, Emotion, Culture and Film.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
5
Visions of Struggle in Women's Filmmaking in the Mediterranean.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
6
Notes to Contributors.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 459, doi. 10.1093/screen/hjq039
- Publication type:
- Article
7
Photography, Cinema, Memory: the Crystal Image of Time.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
8
Reclaiming the Archive: Feminism and Film History.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
9
Cultural problems of classical film theory: Béla Balázs, ‘universal language’ and the birth of national cinema.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 324, doi. 10.1093/screen/hjq028
- By:
- Publication type:
- Article
10
Screen Education: From Film Appreciation to Media Studies.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
11
Contributors.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 457, doi. 10.1093/screen/hjq048
- Publication type:
- Article
12
Urban unknown: Chantal Akerman in New York City.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 365, doi. 10.1093/screen/hjq030
- By:
- Publication type:
- Article
13
New Turkish Cinema: Belonging, Identity and MemoryCinema and Politics: Turkish Cinema and the New EuropeCinema at the Periphery.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
14
Mourning television: the other screen.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 410, doi. 10.1093/screen/hjq035
- By:
- Publication type:
- Article
15
The ‘look’ and how to keep it: cinematography, postproduction and digital colour.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 404, doi. 10.1093/screen/hjq045
- By:
- Publication type:
- Article
16
A Short History of Cahiers du cinéma.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
17
The arrival of colour: responding to the restored Jour de fête.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 390, doi. 10.1093/screen/hjq043
- By:
- Publication type:
- Article
18
Practical melodrama: from recognition to action in Tahmineh Milani's Fereshteh trilogy.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 341, doi. 10.1093/screen/hjq029
- By:
- Publication type:
- Article
19
A deictic turn: space and location in contemporary gallery film and video installation.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 305, doi. 10.1093/screen/hjq031
- By:
- Publication type:
- Article
20
Translating Time: Cinema, the Fantastic, and Temporal Critique.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
21
Screening Africa in colour: Abderrahmane Sissako's Bamako.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 397, doi. 10.1093/screen/hjq044
- By:
- Publication type:
- Article