Found: 10
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Inverting Hollywood from the outside in: the films within Cheryl Dunye's The Watermelon Woman.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 293, doi. 10.1093/screen/hjy036
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- Publication type:
- Article
Being unlikeable: the failure and optimism of Todd Solondz.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 311, doi. 10.1093/screen/hjy032
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- Publication type:
- Article
Exhausting horror: twenty-first-century vampires in Jim Jarmusch's Only Lovers Left Alive.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 333, doi. 10.1093/screen/hjy034
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- Publication type:
- Article
Conning all over the world: Latin American variations of an American film genre.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 350, doi. 10.1093/screen/hjy041
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- Publication type:
- Article
Total cinema: René Barjavel and the future forms of film.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 372, doi. 10.1093/screen/hjy039
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- Publication type:
- Article
Cinema in the eyes of Simone de Beauvoir.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 381, doi. 10.1093/screen/hjy040
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- Publication type:
- Article
Lea Jacobs, Film Rhythm After Sound: Technology, Music and Performance.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
Geraldine Pratt and Rose Marie San Juan, Film and Urban Space: Critical Possibilities.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
Contributors.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 398, doi. 10.1093/screen/hjy042
- Publication type:
- Article
Notes to Contributors.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 400, doi. 10.1093/screen/hjy043
- Publication type:
- Article