The Scenic/Sensorial alacena: A Feminine Interplay between Visuality and Tactility in La dama duende.
- Published in:
- Romance Notes, 2022, v. 62, n. 3, p. 563, doi. 10.1353/rmc.2022.0043
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- Article
Works matching IS 00357995 AND DT 2022 AND VI 62 AND IP 3
Results: 19
1
2
The Double Vision at the Heart of Luis Correa-Díaz's Americana-Lcd.
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- Romance Notes, 2022, v. 62, n. 3, p. 407, doi. 10.1353/rmc.2022.0030
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- Article
3
Testamentos coloniales de indígenas santafereñas: De la protesta terrenal a la sumisión espiritual.
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- Romance Notes, 2022, v. 62, n. 3, p. 551, doi. 10.1353/rmc.2022.0042
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- Article
4
Paternity and the Promise of the Good Life in Diego Vega and Daniel Vega'S Octubre.
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- Romance Notes, 2022, v. 62, n. 3, p. 591, doi. 10.1353/rmc.2022.0045
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- Article
5
Occasioning the Lyrical Vendetta: Lope de Vega and the Segunda parte de la Filomena.
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- Romance Notes, 2022, v. 62, n. 3, p. 527, doi. 10.1353/rmc.2022.0040
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- Article
6
Metaficción y naturalismo en Insolación, de Emilia Pardo Bazán.
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- Romance Notes, 2022, v. 62, n. 3, p. 443, doi. 10.1353/rmc.2022.0033
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- Article
7
La inteligencia de las plantas en escena: Estado vegetal de Manuela Infante.
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- Romance Notes, 2022, v. 62, n. 3, p. 431, doi. 10.1353/rmc.2022.0032
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- Article
8
La inmigración y el precio del neoliberalismo en Desencajada (2020) de Margaryta Yakovenko.
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- Romance Notes, 2022, v. 62, n. 3, p. 373, doi. 10.1353/rmc.2022.0027
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- Article
9
La centralidad como argumento para la sede de corte en la monarquía de los Austrias: Castilla y Portugal.
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- Romance Notes, 2022, v. 62, n. 3, p. 491, doi. 10.1353/rmc.2022.0037
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- Article
10
La Apología por la historia de Fray Gerundio de Campazas de Francisco de Isla. La anfibología como arma secreta.
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- Romance Notes, 2022, v. 62, n. 3, p. 419, doi. 10.1353/rmc.2022.0031
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- Article
11
El nocturno en La Regenta de Leopoldo Alas "Clarín".
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- Romance Notes, 2022, v. 62, n. 3, p. 467, doi. 10.1353/rmc.2022.0035
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- Article
12
Do Androids Dream of Care Labor? Rosa Montero's Bruna Husky Trilogy and its Lessons for Cyborg Feminism.
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- Romance Notes, 2022, v. 62, n. 3, p. 479, doi. 10.1353/rmc.2022.0036
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- Article
13
Del cigne firent messager: Swan as Llatai in Marie de France's Milun.
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- Romance Notes, 2022, v. 62, n. 3, p. 539, doi. 10.1353/rmc.2022.0041
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- Article
14
Cuerpo, vulnerabilidad y resistencia en Clavícula, de Marta Sanz.
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- Romance Notes, 2022, v. 62, n. 3, p. 455, doi. 10.1353/rmc.2022.0034
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- Article
15
Breast Milk in the Inquisitorial Testimony of Isabel de Baeza and La nodriza del infante.
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- Romance Notes, 2022, v. 62, n. 3, p. 515, doi. 10.1353/rmc.2022.0039
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16
An Ethiop's Aethiopica: Heliodorus and Juan Latino's Austriad.
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- Romance Notes, 2022, v. 62, n. 3, p. 395, doi. 10.1353/rmc.2022.0029
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- Article
17
"Nadie llegó a saber nunca": José Luis González and the Work of Mourning for the Unknown.
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- Romance Notes, 2022, v. 62, n. 3, p. 503, doi. 10.1353/rmc.2022.0038
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18
"La posibilidad de ser feliz también existe": Maternidad travesti en Las malas (2019) de Camila Sosa Villada.
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- Romance Notes, 2022, v. 62, n. 3, p. 383, doi. 10.1353/rmc.2022.0028
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- Article
19
"¿Hay algo que no te deja ir?": Ecos de Pedro Páramo en Biutiful de Alejandro González Iñárritu.
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- Romance Notes, 2022, v. 62, n. 3, p. 579, doi. 10.1353/rmc.2022.0044
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- Article