HISTORY IN PERSPECTIVE INANA MARÍA MOIX'S VALS NEGRO.Published in:2005By:Kingery, SandraPublication type:Literary Criticism
SYMPHORIEN CHAMPIER AND CHRISTINE DE PIZAN'S LIVRÉ DE LA CITE DES DAMES.Published in:2005By:Kem, JudyPublication type:Literary Criticism
VOCES AUTÓCTONAS DE LA AMAZONÍA: SOLEDAD, REIVINDICACIÓN Y CAMBIO.Published in:Romance Notes, 2005, v. 45, n. 2, p. 217By:Rodríguez, MónicaPublication type:Article
ERASMO Y VIVES: ALGUNAS OBSERVACIONES EN TORNO AL MATRIMONIO Y LA SEXUALIDAD CONYUGAL.Published in:Romance Notes, 2005, v. 45, n. 2, p. 211By:Rivera, OlgaPublication type:Article
CICERONIAN MNEMONIC IN CAMUS' L'ÉTRANGER.Published in:2005By:Leverage, PaulaPublication type:Literary Criticism
LETTERS, LIES, AND LEGIBLE URBAN SPACE IN BALZAC'S FERRAGUS.Published in:2005By:Belenky, MashaPublication type:Literary Criticism
MARGUERITE DE NAVARRE AND THE CHALLENGE OF ETHICAL CRITICISM: HISTORY, LITERATURE, AND EXEMPLARITY IN THE HEPTAMÉRON.Published in:2005By:Zallua, ZahiPublication type:Literary Criticism
CONSTRUCTING AUTHORITY IN LOPE DE VEGA'S ÉGLOGA A CLAUDIO: SELF-REFERENTIALITY, LITERARY JUDGMENT, AND ETHICS.Published in:2005By:Mascia, Mark J.Publication type:Literary Criticism
CREOLE PATRIOTISM IN FESTIVAL ACCOUNTS OF LIMA AND POTOSÍ.Published in:Romance Notes, 2005, v. 45, n. 2, p. 159By:Voigt, LisaPublication type:Article
DECADENT REPETITIONS, TECHNOLOGICAL VARIATIONS, IN GABRIELE D'ANNUNZIO'S FORSE CHE SÌ FORSE CHE NO.Published in:2005By:Syrimis, MichaelPublication type:Essay
EL DISCURSO DE LA RUINA: LO GÓTICO EN VOLVERÁSA REGIÓN.Published in:2005By:Margenot III, John B.Publication type:Essay
CONFUSION IN THE SERVICE OF CLARITY: THE CIRCUS IN PATRICK MODIANO'S UN CIRQUE PASSE.Published in:2005By:Murphy, Ann L.Publication type:Literary Criticism