SYNCRETIC STRATEGIES OF REPRESENTATION OF TRANSCENDENCE IN PUCCINI’S “NESSUN DORMA”.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 231, doi. 10.18290/rh247212sp.18
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Works matching IS 00357707 AND DT 2024 AND VI 72 AND IP 12
Results: 19
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EXOTIC AND TOPICAL REFERENCES IN GUSTAV MAHLER’S DAS LIED VON DER ERDE.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 217, doi. 10.18290/rh247212sp.17
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BALAKIREV’S “THE LARK”: INTERPRETATION AND PERFORMANCE.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 201, doi. 10.18290/rh247212sp.16
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BALZAC’S VIEWS ON MEANING OF MUSIC AND IN MUSIC.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 189, doi. 10.18290/rh247212sp.15
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IS THERE A ROLE FOR A MORAL CHOICE IN A MOZART PIANO CONCERTO?
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 175, doi. 10.18290/rh247212sp.14
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KRZYSZTOF PENDERECKI: AN EXISTENTIAL SEMIOTIC STUDY OF HIS SONORISTIC WORKS AND CELLO AND ORCHESTRA CONCERTO NO. 2.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 249, doi. 10.18290/rh247212sp.19
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MUSICAL RHETORIC AND MEANINGS IN THE MAUNDY THURSDAY CANTATAS BY G. H. STÖLZEL (1690–1749).
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 161, doi. 10.18290/rh247212sp.13
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THE ROLE OF TEXTURE IN THE EXPRESSION OF MUSICAL EMOTION: THE MENUET FROM BACH’S PARTITA NO. 4 IN D MAJOR, BWV 828.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 153, doi. 10.18290/rh247212sp.12
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THE RHYMED OFFICE OF BLESSED CZESŁAW...
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 135, doi. 10.18290/rh247212sp.11
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10
FROM SACRIFICE TO TELEMATIC: ON MUSIC AND RITUAL.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 69, doi. 10.18290/rh247212sp.6
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ANTIQUITIES AND MODERNITY: A MUSICOLOGICAL ANAMNESIS OF ANTIGONE.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 119, doi. 10.18290/rh247212sp.10
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SEEING THE SOUND, HEARING THE IMAGE, DANCING THE MYTH: MUSICALNESS OF THE MIDSUMMER NIGHT RITUAL IN SOME POLISH ICONOGRAPHY OF THE SECOND HALF OF THE 19TH CENTURY.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 81, doi. 10.18290/rh247212sp.7
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MAPPING MUSICAL DRAMATURGY: TOWARDS A THEORY OF RHETORICAL PERFORMANCE.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 29, doi. 10.18290/rh247212sp.3
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FILMING THE NOTES: AUDIOVISUAL STRATEGIES IN POPULAR MUSIC COMPOSITION AND PRODUCTION.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 59, doi. 10.18290/rh247212sp.5
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THE ROLE OF MUSIC IN THE REINTERPRETATIONS OF THE MYTHICAL STORY OF MEDEA IN THE LIGHT OF TRANSLATION THEORY.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 109, doi. 10.18290/rh247212sp.9
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16
REPORT ON MUSIC COMPOSITION AND VISUAL ART EXHIBITIONS: ONGOING RESEARCH.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 95, doi. 10.18290/rh247212sp.8
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ON SUBJECTIVITY AND OBJECTIVITY IN THE SEMIOTIC INQUIRY OF MUSIC.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 45, doi. 10.18290/rh247212sp.4
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INTERPERSONAL SEMIOTICS OF MUSIC AFTER SEVERAL DECADES.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 21, doi. 10.18290/rh247212sp.2
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THE GROWING FIELD OF MUSICAL SIGNIFICATION: ORIGINS, MAJOR CONTRIBUTIONS, AND CURRENT RELEVANCE.
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- Annals of Arts / Roczniki Humanistyczne, 2024, v. 72, n. 12, p. 7, doi. 10.18290/rh247212sp.1
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