AFFECTIVE TRANSMISSION AND HAUNTED LANDSCAPE IN JESMYN WARD’S SING, UNBURIED, SING.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 7, doi. 10.18290/rh206811-1
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Works matching IS 00357707 AND DT 2020 AND VI 68 AND IP 11
Results: 14
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FOREIGN-SPACE DRAMATIZATION IN GRAHAM GREENE’S THE POWER AND THE GLORY: REVISITING GREENELAND.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 225, doi. 10.18290/rh206811-14
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THE MAPS OF INNER SPACE: J. G. BALLARD’S “THE REPTILE ENCLOSURE” IN THE LIGHT OF R. D. LAING’S THE POLITICS OF EXPERIENCE.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 211, doi. 10.18290/rh206811-13
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CARIBBEAN LANDSCAPE AND THE CONSTRUCTION OF CREOLE CONSCIOUSNESS IN JEAN RHYS’S WIDE SARGASSO SEA.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 195, doi. 10.18290/rh206811-12
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“BEAUTIFUL AND TERRIBLE”: THE AMBIGUITY OF THE GRID AND SUBURBAN SPACE IN D. J. WALDIE’S HOLY LAND: A SUBURBAN MEMOIR.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 181, doi. 10.18290/rh206811-11
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THE MULTITUDINOUS SPARSENESS OF SPACE IN HARRY THURSTON’S BROKEN VESSEL.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 161, doi. 10.18290/rh206811-10
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GRIEVING PLACES, SOVEREIGN PLACES: STORIED SPACE IN LOUISE ERDRICH’S THE ROUND HOUSE.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 145, doi. 10.18290/rh206811-9
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THE GENII LOCORUM AS THE NECESSARY SPACE AND PLACE FOR HUMAN DEVELOPMENT.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 127, doi. 10.18290/rh206811-8
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9
LIMINAL SPACES IN THE ANCRENE WISSE.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 111, doi. 10.18290/rh206811-7
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- Article
10
THE CONCEPT OF THE EDGE IN THE PLAYS OF MARINA CARR.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 95, doi. 10.18290/rh206811-6
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FRONTIER IMAGERY IN GENTRIFICATION NARRATIVES: ANDREW WINGFIELD’S SHORT STORY CYCLE RIGHT OF WAY (2010).
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 81, doi. 10.18290/rh206811-5
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FROM WILDERLAND TO EAST END AND BACK AGAIN: ON THE LINKS BETWEEN HAROLD PINTER’S THE DWARFS: A NOVEL AND J. R. R. TOLKIEN’S THE HOBBIT.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 65, doi. 10.18290/rh206811-4
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THE PLACE OF THE ROMANI LANGUAGE AND CULTURE IN POLAND: QUESTIONNAIRE-BASED INSIGHTS.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 37, doi. 10.18290/rh206811-3
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14
TEXTS IN TRANSITION: INTERMEDIALITY IN PEREDUR SON OF EFROG AND CYNAN JONES’S BIRD, BLOOD, SNOW.
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- Annals of Arts / Roczniki Humanistyczne, 2020, v. 68, n. 11, p. 21, doi. 10.18290/rh206811-2
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