SLENDER SELF-KNOWLEDGE: TRAGIC CONSEQUENCES AND REDEMPTIVE HOPE IN SHAKESPEARE'S KING LEAR AND AUSTEN'S PRIDE AND PREJUDICE.Published in:Renascence, 2021, v. 73, n. 2, p. 127, doi. 10.5840/renascence202173210By:Urban, David V.Publication type:Article
CONFESSION VERSUS COLLUSION: TRUTH-TELLING IN JOHN LE CARRÉ'S AGENT RUNNING IN THE FIELD.Published in:Renascence, 2021, v. 73, n. 2, p. 117, doi. 10.5840/renascence20217329By:Snyder, Robert LancePublication type:Article
LEARNING TO BE A FAILURE: TROPES OF TRANSFORMATION IN JAMES WRIGHT'S THE BRANCH WILL NOT BREAK.Published in:Renascence, 2021, v. 73, n. 2, p. 101, doi. 10.5840/renascence20217328By:Copeland, ToddPublication type:Article
"NEW KNOWLEDGE OF LOST WORLDS"?: EDWARD HITCHCOCK'S "SANDSTONE BIRD" AND THE POETIC EXPLORATION OF SCIENCE AND FAITH.Published in:Renascence, 2021, v. 73, n. 2, p. 81, doi. 10.5840/renascence20217327By:Reiter, GeoffreyPublication type:Article