"What Is It That Could Have Some Like I Into It": Christopher Knowles and the Aesthetic of Einstein on the Beach.Published in:Opera Journal, 2023, v. 56, n. 1, p. 39By:Lenchitz, JordanPublication type:Article
Cast a Diva as Fidès: Pauline Viardot's Collaborative Role in Giacomo Meyerbeer's Le Prophète.Published in:Opera Journal, 2023, v. 56, n. 1, p. 23By:Bechtel, LydiaPublication type:Article
The "Feminine Other": Italian Opera, the Female Body, and the Society of Dilettanti in Mid-Eighteenth-Century London.Published in:Opera Journal, 2023, v. 56, n. 1, p. 1By:Loraine, BreenaPublication type:Article