Preface.Published in:Nottingham French Studies, 2014, v. 53, n. 1, p. vii, doi. 10.3366/nfs.2014.0068By:Cruickshank, RuthPublication type:Article
Notes on Contributors.Published in:Nottingham French Studies, 2014, v. 53, n. 1, p. 113, doi. 10.3366/nfs.2014.0077Publication type:Article
Reading Proust in Barthes's Journal de deuil.Published in:2014By:Watt, AdamPublication type:Literary Criticism
'I cried power': The (Im)Possibility of Female 'Freedom' in Le Jour où Nina Simone a cessé de chanter (Darina Al-Joundi).Published in:2014By:Vassallo, HelenPublication type:Literary Criticism
Re-reading Simone de Beauvoir's Les Belles Images: The Global Politics of (Not) Eating.Published in:2014By:Cruickshank, RuthPublication type:Literary Criticism
Georges Perec and Anne Garréta: Oulipo, Constraint and Crime Fiction.Published in:2014By:O'Meara, LucyPublication type:Literary Criticism
Pathology and Poly-vocality in Nina Yargekov's Tuer Catherine (2009).Published in:2014By:Jones, KatiePublication type:Literary Criticism
Mad Puns and French Poets: Visual-Verbal Punning and 'l'art des fous' in Apollinaire's Calligrammes.Published in:2014By:Shingler, KatherinePublication type:Essay