Wretches and Recken: Exile in The Heliand, Beowulf, The Hildebrandslied, and Beyond.
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- Neophilologus, 2025, v. 109, n. 1, p. 103, doi. 10.1007/s11061-024-09818-8
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Works matching IS 00282677 AND DT 2025 AND VI 109 AND IP 1
Results: 8
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Archivism and Anarchivism in Shakespeare's Julius Caesar, Produced by the Lope de Vega Theater Company at the Roman Theater of Mérida (1955 and 1964).
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- Neophilologus, 2025, v. 109, n. 1, p. 67, doi. 10.1007/s11061-025-09831-5
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- Article
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Ludwig Wittgenstein et Albert Camus: du 'jeu de langage' à la 'création corrigée'.
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- Neophilologus, 2025, v. 109, n. 1, p. 17, doi. 10.1007/s11061-025-09830-6
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- Article
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Lofgeornost Reconsidered: Eulogies in Beowulf and Þiðreks saga.
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- Neophilologus, 2025, v. 109, n. 1, p. 125, doi. 10.1007/s11061-024-09828-6
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- Article
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Die tote Frau spricht: Neurodiverse Sprache in Elfriede Jelineks Ulrike Maria Stuart.
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- Neophilologus, 2025, v. 109, n. 1, p. 85, doi. 10.1007/s11061-024-09827-7
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La cruelle fatalité de l'existence, ou la représentation du mal dans La Possession d'Henry Bataille.
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- Neophilologus, 2025, v. 109, n. 1, p. 53, doi. 10.1007/s11061-024-09826-8
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- Article
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Women's Paradise and Lesbian Limbo: Renée Vivien and Christine de Pizan as Readers of Dante.
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- Neophilologus, 2025, v. 109, n. 1, p. 37, doi. 10.1007/s11061-024-09825-9
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8
Literary Portraits of World War I Tirailleurs sénégalais: Lucie Cousturier's Des Inconnus chez moi (1920), and Raymond Escholier's Mahmadou Fofana (1928).
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- Neophilologus, 2025, v. 109, n. 1, p. 1, doi. 10.1007/s11061-024-09824-w
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- Article