Music, Conscience, and Politics in the Contemporary Moment.
- Published in:
- Musical Quarterly, 2024, v. 107, n. 3/4, p. 139, doi. 10.1093/musqtl/gdaf006
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- Article
Works matching IS 00274631 AND DT 2024 AND VI 107 AND IP 3/4
Results: 6
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In the Crossfire of Cold War Politics: Walter Felsenstein's Fiedler auf dem Dach in the German Democratic Republic.
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- Musical Quarterly, 2024, v. 107, n. 3/4, p. 144, doi. 10.1093/musqtl/gdaf004
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- Article
3
Music Book Trade in the Age of Bach: Michel-Charles Le Cène's Agents in Germany.
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- Musical Quarterly, 2024, v. 107, n. 3/4, p. 243, doi. 10.1093/musqtl/gdaf005
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- Article
4
Rethinking Musical Politics as Contingent Interactions Between Musical Texts and Contexts: The Politics of Rodríguez's "Ojalá" in Today's Cuba.
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- Musical Quarterly, 2024, v. 107, n. 3/4, p. 172, doi. 10.1093/musqtl/gdaf003
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- Article
5
Evoking Joan of Arc's Soundworld in Jacques Rivette's Jeanne la Pucelle (1994): Authenticity versus Cinematic Musical Convention Open Access.
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- Musical Quarterly, 2024, v. 107, n. 3/4, p. 213, doi. 10.1093/musqtl/gdaf002
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- Article
6
Mendelssohn and the Question of German Guilt: In Honor of R. Larry Todd.
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- Musical Quarterly, 2024, v. 107, n. 3/4, p. 197, doi. 10.1093/musqtl/gdaf001
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- Article