Stormy Relations: The Cotton Club, Broadway Spirituals, and Harlem Encounters in the Music of Harold Arlen and Ted Koehler.Published in:Musical Quarterly, 2018, v. 101, n. 2/3, p. 120, doi. 10.1093/musqtl/gdy017By:Sloan, NathanielPublication type:Article
Resisting the Malambo: On the Musical Topic in the Works of Alberto Ginastera.Published in:Musical Quarterly, 2018, v. 101, n. 2/3, p. 157, doi. 10.1093/musqtl/gdy014By:Plesch, MelaniePublication type:Article
Editions, New and Old, and the Misuse of Scholarly Authority.Published in:2018By:Botstein, LeonPublication type:Editorial
Big Music Data, Musicology, and the Study of Recorded Music: Three Case Studies.Published in:Musical Quarterly, 2018, v. 101, n. 2/3, p. 216, doi. 10.1093/musqtl/gdy013By:Cottrell, StephenPublication type:Article
"A complete and correct Score"? Scribal Annotations and the Notion of Textual Fixity in Late Seventeenth-Century English Music Publications.Published in:Musical Quarterly, 2018, v. 101, n. 2/3, p. 244, doi. 10.1093/musqtl/gdy015By:Herissone, RebeccaPublication type:Article