Facing the Music: Scholarship and the Teaching of Music in the American University in the Era of Donald Trump.Published in:Musical Quarterly, 2016, v. 99, n. 3/4, p. 281, doi. 10.1093/musqtl/gdx013By:Botstein, LeonPublication type:Article
"Execrable Music" for an "Exquisitely Bad" Play: Samuel Johnson's "Most Sublime" Hurlothrumbo.Published in:2016By:Wierzbicki, JamesPublication type:Literary Criticism
"I'm not making this up, you know!": The Success of Two of Vaughan Williams's Students in America.Published in:Musical Quarterly, 2016, v. 99, n. 3/4, p. 356, doi. 10.1093/musqtl/gdx008By:Siegel, EricaPublication type:Article
The Humbug and the Nightingale: P. T. Barnum, Jenny Lind, and the Branding of a Star Singer for American Reception.Published in:Musical Quarterly, 2016, v. 99, n. 3/4, p. 286, doi. 10.1093/musqtl/gdx009By:Samples, Mark C.Publication type:Article
Colliding Diasporas: Kurt Weill's Ulysses Africanus and Black-Jewish Relations during the Great Depression.Published in:Musical Quarterly, 2016, v. 99, n. 3/4, p. 321, doi. 10.1093/musqtl/gdx010By:Graber, NaomiPublication type:Article