Music, Ice, and the "Geometry of Fear": The Landscapes of Vaughan Williams's Sinfonia Antartica.
- Published in:
- Musical Quarterly, 2008, v. 91, n. 1/2, p. 116, doi. 10.1093/musqtl/gdn027
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- Publication type:
- Article
Works matching IS 00274631 AND DT 2008 AND VI 91 AND IP 1/2
Results: 6
1
2
The Parataxis of "British Musical Modernism".
- Published in:
- Musical Quarterly, 2008, v. 91, n. 1/2, p. 89
- By:
- Publication type:
- Article
3
Modernist Rifts in a Pastoral Landscape: Observations on the Manuscripts of Vaughan Williams's Fourth Symphony.
- Published in:
- Musical Quarterly, 2008, v. 91, n. 1/2, p. 60, doi. 10.1093/musqtl/gdn029
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- Publication type:
- Article
4
"It's Not Lambkins Frisking At All": English Pastoral Music and the Great War.
- Published in:
- Musical Quarterly, 2008, v. 91, n. 1/2, p. 39, doi. 10.1093/musqtl/gdn030
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- Publication type:
- Article
5
Edward Elgar: "Modern" or "Modernist?" Construction of an Aesthetic Identity in the British Music Press, 1895-1934.
- Published in:
- Musical Quarterly, 2008, v. 91, n. 1/2, p. 8, doi. 10.1093/musqt/gdn026
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- Publication type:
- Article
6
Foreword.
- Published in:
- Musical Quarterly, 2008, v. 91, n. 1/2, p. 1
- Publication type:
- Article