Works matching IS 00274631 AND DT 2004 AND VI 87 AND IP 4
Results: 8
Reger in Bach's Notes: On Self-Image and Authority in Max Reger's Bach Playing.
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- Musical Quarterly, 2004, v. 87, n. 4, p. 749, doi. 10.1093/musqtl/gdh026
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- Article
Reger's Historicist Modernism.
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- Musical Quarterly, 2004, v. 87, n. 4, p. 732, doi. 10.1093/musqtl/gdh024
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- Article
Brahms, Strauss, Sheep, and Apes: Reger's “Heroic” Struggle with Tradition.
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- Musical Quarterly, 2004, v. 87, n. 4, p. 708, doi. 10.1093/musqtl/gdh022
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Listening to Reger.
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- Musical Quarterly, 2004, v. 87, n. 4, p. 681, doi. 10.1093/musqtl/gdh025
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- Article
Max Reger Introduces Atonal Expressionism.
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- Musical Quarterly, 2004, v. 87, n. 4, p. 660, doi. 10.1093/musqtl/gdh027
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A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century.
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- Musical Quarterly, 2004, v. 87, n. 4, p. 631, doi. 10.1093/musqtl/gdh023
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The Music of Max Reger.
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- Musical Quarterly, 2004, v. 87, n. 4, p. 628, doi. 10.1093/musqtl/gdh028
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- Article
History and Max Reger.
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- Musical Quarterly, 2004, v. 87, n. 4, p. 617, doi. 10.1093/musqtl/gdh029
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- Article