Works matching IS 00274631 AND DT 2002 AND VI 86 AND IP 3
Results: 8
Contributors to This Issue.
- Published in:
- Musical Quarterly, 2002, v. 86, n. 3, p. 582, doi. 10.1093/mq/86.3.582
- Publication type:
- Article
Through the Aperture: Brahms's Gigues, WoO 4.
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- Musical Quarterly, 2002, v. 86, n. 3, p. 530, doi. 10.1093/musqtl/gdg020
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- Article
Philip Glass and Michael Riesman: Two Interviews.
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- Musical Quarterly, 2002, v. 86, n. 3, p. 508, doi. 10.1093/musqtl/gdg018
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- Article
High, ‘Low,’ and Plastic Arts: Philip Glass and the Symphony in the Age of Postproduction.
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- Musical Quarterly, 2002, v. 86, n. 3, p. 472, doi. 10.1093/musqtl/gdg019
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- Article
The Politics of Transcendence: Ideology in the Music of Messiaen in the 1930s.
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- Musical Quarterly, 2002, v. 86, n. 3, p. 449, doi. 10.1093/musqtl/gdg015
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- Article
Debussy's Rameau: French Music and Its Others.
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- Musical Quarterly, 2002, v. 86, n. 3, p. 398, doi. 10.1093/musqtl/gdg016
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- Article
‘The Two O'Clock Vibe’: Embodying the Jam of Musical Blackness In and Out of Its Everyday Context.
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- Musical Quarterly, 2002, v. 86, n. 3, p. 372, doi. 10.1093/musqtl/gdg017
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- Article
Miscellany.
- Published in:
- Musical Quarterly, 2002, v. 86, n. 3, p. 367, doi. 10.1093/musqtl/gdg021
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- Article