Contributors to This Issue.
- Published in:
- Musical Quarterly, 2002, v. 86, n. 3, p. 582, doi. 10.1093/mq/86.3.582
- Publication type:
- Article
Works matching IS 00274631 AND DT 2002 AND VI 86 AND IP 3
Results: 8
1
2
Through the Aperture: Brahms's Gigues, WoO 4.
- Published in:
- Musical Quarterly, 2002, v. 86, n. 3, p. 530, doi. 10.1093/musqtl/gdg020
- By:
- Publication type:
- Article
3
Philip Glass and Michael Riesman: Two Interviews.
- Published in:
- Musical Quarterly, 2002, v. 86, n. 3, p. 508, doi. 10.1093/musqtl/gdg018
- By:
- Publication type:
- Article
4
High, ‘Low,’ and Plastic Arts: Philip Glass and the Symphony in the Age of Postproduction.
- Published in:
- Musical Quarterly, 2002, v. 86, n. 3, p. 472, doi. 10.1093/musqtl/gdg019
- By:
- Publication type:
- Article
5
The Politics of Transcendence: Ideology in the Music of Messiaen in the 1930s.
- Published in:
- Musical Quarterly, 2002, v. 86, n. 3, p. 449, doi. 10.1093/musqtl/gdg015
- By:
- Publication type:
- Article
6
Debussy's Rameau: French Music and Its Others.
- Published in:
- Musical Quarterly, 2002, v. 86, n. 3, p. 398, doi. 10.1093/musqtl/gdg016
- By:
- Publication type:
- Article
7
‘The Two O'Clock Vibe’: Embodying the Jam of Musical Blackness In and Out of Its Everyday Context.
- Published in:
- Musical Quarterly, 2002, v. 86, n. 3, p. 372, doi. 10.1093/musqtl/gdg017
- By:
- Publication type:
- Article
8
Miscellany.
- Published in:
- Musical Quarterly, 2002, v. 86, n. 3, p. 367, doi. 10.1093/musqtl/gdg021
- By:
- Publication type:
- Article