Ariadne's Clew: Politics, Allegory, and Opera in London (1734).
- Published in:
- Musical Quarterly, 2001, v. 85, n. 4, p. 735, doi. 10.1093/mq/85.4.735
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- Publication type:
- Article
Works matching IS 00274631 AND DT 2001 AND VI 85 AND IP 4
Results: 7
1
2
Servility, Opportunity, and Freedom in the Choice of Music Composition as a Profession.
- Published in:
- Musical Quarterly, 2001, v. 85, n. 4, p. 718, doi. 10.1093/mq/85.4.718
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- Publication type:
- Article
3
Suturing History, Healing Europe: German National Temporality in Wolokolamsk Highway.
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- Musical Quarterly, 2001, v. 85, n. 4, p. 681, doi. 10.1093/mq/85.4.681
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- Publication type:
- Article
4
Monophonic Motets: Sampling and Grafting in the Middle Ages.
- Published in:
- Musical Quarterly, 2001, v. 85, n. 4, p. 644, doi. 10.1093/mq/85.4.644
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- Publication type:
- Article
5
New Light on George Whitefield Chadwick: Recent Discovery of Unknown Material.
- Published in:
- Musical Quarterly, 2001, v. 85, n. 4, p. 641, doi. 10.1093/mq/85.4.641
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- Publication type:
- Article
6
American Compositional Theory in the 1930s: Scale and Exoticism in 'The Nature of Melody' by Henry Cowell.
- Published in:
- Musical Quarterly, 2001, v. 85, n. 4, p. 595, doi. 10.1093/mq/85.4.595
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- Publication type:
- Article
7
Artur Schnabel and the Ideology of Interpretation.
- Published in:
- Musical Quarterly, 2001, v. 85, n. 4, p. 587, doi. 10.1093/mq/85.4.587
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- Publication type:
- Article