Handel's Hercules and its semiosis.Published in:Musical Quarterly, 1997, v. 81, n. 3, p. 449, doi. 10.1093/mq/81.3.449By:Gilman, Todd S.Publication type:Article
Sites for music in Purcell's Dorset Garden Theatre.Published in:Musical Quarterly, 1997, v. 81, n. 3, p. 430, doi. 10.1093/mq/81.3.430By:Radice, Mark A.Publication type:Article
Rebecca Clarke and Sonata form: Questions of gender and genre.Published in:1997By:Curtis, LianePublication type:Editorial
Religion and difference in Verdi's Otello.Published in:1997By:Parakilas, JamesPublication type:Literary Criticism
Music, gender, and `uplift' in the Chicago Defender, 1927-1937.Published in:Musical Quarterly, 1997, v. 81, n. 3, p. 344, doi. 10.1093/mq/81.3.344By:Schenbeck, LawrencePublication type:Article