Paradoxes of the woman music patron in America.
- Published in:
- Musical Quarterly, 1994, v. 78, n. 4, p. 798, doi. 10.1093/mq/78.4.798
- By:
- Publication type:
- Article
Works matching IS 00274631 AND DT 1994 AND VI 78 AND IP 4
Results: 7
1
2
The politics and practice of `crossover' in American popular music, 1963 to 1965.
- Published in:
- Musical Quarterly, 1994, v. 78, n. 4, p. 774, doi. 10.1093/mq/78.4.774
- By:
- Publication type:
- Article
3
Minimalism: Aesthetic, style, or technique?
- Published in:
- Musical Quarterly, 1994, v. 78, n. 4, p. 742, doi. 10.1093/mq/78.4.742
- By:
- Publication type:
- Article
4
A night at the cinema: Zeffirelli's Otello and the genre of film-opera.
- Published in:
- Musical Quarterly, 1994, v. 78, n. 4, p. 700, doi. 10.1093/mq/78.4.700
- By:
- Publication type:
- Article
5
The New York reception of Pierrot lunaire: The 1923 premiere and its aftermath.
- Published in:
- Musical Quarterly, 1994, v. 78, n. 4, p. 669, doi. 10.1093/mq/78.4.669
- By:
- Publication type:
- Article
6
Gershwin and American modernists of the 1920s.
- Published in:
- Musical Quarterly, 1994, v. 78, n. 4, p. 646, doi. 10.1093/mq/78.4.646
- By:
- Publication type:
- Article
7
Subjects for debate: Women and patronage in music.
- Published in:
- Musical Quarterly, 1994, v. 78, n. 4, p. 641, doi. 10.1093/mq/78.4.641
- By:
- Publication type:
- Article