MUSIC RECEIVED.
- Published in:
- Notes, 2019, v. 76, n. 1, p. 169
- Publication type:
- Article
Works matching IS 00274380 AND DT 2019 AND VI 76 AND IP 1
Results: 33
1
2
Josef Suk.
- Published in:
- Notes, 2019, v. 76, n. 1, p. 166
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- Article
3
Carlo Gesualdo Principe di Venosa.
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- Notes, 2019, v. 76, n. 1, p. 162
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4
Bloomsbury Popular Music.
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- Notes, 2019, v. 76, n. 1, p. 159
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5
NEW PERIODICALS.
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- Notes, 2019, v. 76, n. 1, p. 155
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6
BOOKS RECENTLY PUBLISHED.
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- Notes, 2019, v. 76, n. 1, p. 151
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- Article
7
Spirited Wind Playing: The Performance Dimension.
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- Notes, 2019, v. 76, n. 1, p. 148
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8
Trumpets and Other High Brass: A History Inspired by the Joe R. and Joella F. Utley Collection. Volume 3: Valves Evolve.
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- Notes, 2019, v. 76, n. 1, p. 145
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- Article
9
The Oxford Handbook of Choral Pedagogy.
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- Notes, 2019, v. 76, n. 1, p. 142
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- Article
10
I Sang the Unsingable: My Life in Twentieth-Century Music.
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- Notes, 2019, v. 76, n. 1, p. 139
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- Article
11
Exploring Christian Song.
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- Notes, 2019, v. 76, n. 1, p. 137
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12
Metamorphosis in Music: The Compositions of György Ligeti in the 1950s and 1960s.
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- Notes, 2019, v. 76, n. 1, p. 118
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- Article
13
Lou Harrison: American Musical Maverick.
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- Notes, 2019, v. 76, n. 1, p. 116
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14
The Ballad of John Latouche: An American Lyricist’s Life and Work.
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- 2019
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- Publication type:
- Book Review
15
The Great Woman Singer: Gender and Voice in Puerto Rican Music.
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- Notes, 2019, v. 76, n. 1, p. 132
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- Article
16
Charles Ives’s Concord: Essays after a Sonata.
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- Notes, 2019, v. 76, n. 1, p. 114
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17
Beethoven & Freedom.
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- Notes, 2019, v. 76, n. 1, p. 122
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18
Pat Metheny: The ECM Years, 1975–1984.
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- Notes, 2019, v. 76, n. 1, p. 130
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19
Improvisation and Social Aesthetics.
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- Notes, 2019, v. 76, n. 1, p. 125
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20
The Pop Palimpsest: Intertextuality in Recorded Popular Music.
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- Notes, 2019, v. 76, n. 1, p. 127
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21
Benjamin Britten Studies: Essays on an Inexplicit Art.
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- 2019
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- Publication type:
- Book Review
22
Ernest Newman: A Critical Biography.
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- Notes, 2019, v. 76, n. 1, p. 109
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- Article
23
Granville Bantock’s Letters to William Wallace and Ernest Newman, 1893–1921: “Our New Dawn of Modern Music.”.
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- Notes, 2019, v. 76, n. 1, p. 107
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24
Gypsy Music: The Balkans and Beyond.
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- Notes, 2019, v. 76, n. 1, p. 103
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25
Hip Hop at Europe’s Edge: Music, Agency, and Social Change.
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- Notes, 2019, v. 76, n. 1, p. 101
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26
Jazz Italian Style: From Its Origins in New Orleans to Fascist Italy and Sinatra.
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- Notes, 2019, v. 76, n. 1, p. 98
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27
Debussy’s Paris: Piano Portraits of the Belle Époque.
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- Notes, 2019, v. 76, n. 1, p. 96
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- Article
28
Leipzig after Bach: Church and Concert Life in a German City.
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- Notes, 2019, v. 76, n. 1, p. 94
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- Article
29
Hearing the City in Early Modern Europe.
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- Notes, 2019, v. 76, n. 1, p. 91
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30
NOTES FOR NOTES.
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- Notes, 2019, v. 76, n. 1, p. 84
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31
HANDEL MANUSCRIPTS AND THE PROFITS OF SLAVERY: THE “GRANVILLE” COLLECTION AT THE BRITISH LIBRARY AND THE FIRST PERFORMING SCORE OF MESSIAH RECONSIDERED.
- Published in:
- Notes, 2019, v. 76, n. 1, p. 27
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- Article
32
FILL A VOID: THE DC PUNK AND INDIE FANZINE COLLECTION AT THE UNIVERSITY OF MARYLAND.
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- Notes, 2019, v. 76, n. 1, p. 7
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- Article
33
THE LIFE OF TERESA CARREÑO (1853–1917), A VENEZUELAN PRODIGY AND ACCLAIMED ARTIST.
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- Notes, 2019, v. 76, n. 1, p. 38
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- Article