THE WESTRUP PRIZE.
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- Music & Letters, 2025, v. 106, n. 1, p. 160, doi. 10.1093/ml/gcaf005
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Works matching IS 00274224 AND DT 2025 AND VI 106 AND IP 1
Results: 22
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Recent Titles.
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- Music & Letters, 2025, v. 106, n. 1, p. 166, doi. 10.1093/ml/gcaf004
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'Music & Letters' Awards.
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- Music & Letters, 2025, v. 106, n. 1, p. 163, doi. 10.1093/ml/gcaf003
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Instructions to Authors.
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- Music & Letters, 2025, v. 106, n. 1, p. 161, doi. 10.1093/ml/gcaf002
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Authors of Articles in This Issue.
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- Music & Letters, 2025, v. 106, n. 1, p. 164, doi. 10.1093/ml/gcaf001
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Times A-Changin': Flexible Meter as Self-Expression in Singer-Songwriter Music. Nancy Murphy.
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- Music & Letters, 2025, v. 106, n. 1, p. 155, doi. 10.1093/ml/gcae108
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Samuel Barber: His Life and Legacy. Howard Pollack.
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- Music & Letters, 2025, v. 106, n. 1, p. 150, doi. 10.1093/ml/gcae107
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Verdi and the Art of Italian Opera: Conventions and Creativity. Steven Huebner.
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- Music & Letters, 2025, v. 106, n. 1, p. 145, doi. 10.1093/ml/gcae106
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Xenakis Creates in Architecture and Music: The Reynolds Desert House. Roger Reynolds and Karen Reynolds.
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- Music & Letters, 2025, v. 106, n. 1, p. 153, doi. 10.1093/ml/gcae105
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The Romantic-Virtuosic Sentence in Liszt's B Minor Sonata, or, Positive Feedback as Formal Accelerator.
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- Music & Letters, 2025, v. 106, n. 1, p. 29, doi. 10.1093/ml/gcae098
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A Stuart Musician's Conversion to Catholicism: Richard Dering and the Venerable English College, Rome.
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- Music & Letters, 2025, v. 106, n. 1, p. 1, doi. 10.1093/ml/gcae097
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Maurice Ravel and the Poetics of Originality, 1907–14.
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- Music & Letters, 2025, v. 106, n. 1, p. 97, doi. 10.1093/ml/gcae096
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Boulez's Formative Years: Two Labyrinths Open Access.
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- Music & Letters, 2025, v. 106, n. 1, p. 120, doi. 10.1093/ml/gcae091
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The Museum of Renaissance Music: A History in 100 Exhibits. Vincenzo Borghetti and Tim Shephard.
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- Music & Letters, 2025, v. 106, n. 1, p. 135, doi. 10.1093/ml/gcae090
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Manuscripts, Music, Machaut: Essays in Honor of Lawrence Earp. Jared C. Hartt, Tamsyn Mahoney-Steel, and Benjamin lbritton Open Access.
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- Music & Letters, 2025, v. 106, n. 1, p. 131, doi. 10.1093/ml/gcae089
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Mozart's Operas and National Politics: Canon Formation in Prague from 1791 to the Present. Martin Nedbal.
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- Music & Letters, 2025, v. 106, n. 1, p. 143, doi. 10.1093/ml/gcae088
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Experimenting the Human: Art, Music, and the Contemporary Posthuman. By Douglas Barrett.
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- Music & Letters, 2025, v. 106, n. 1, p. 157, doi. 10.1093/ml/gcae087
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Understanding the Old Hispanic Office: Texts, Melodies, and Devotion in Early Medieval Iberia. By Kati Ihnat Raquel Rojo Carrillo Emma Hornby.
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- Music & Letters, 2025, v. 106, n. 1, p. 128, doi. 10.1093/ml/gcae086
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Genre beyond Borders: Reassessing Operetta. Bruno Bower, Elisabeth Honn Hoegberg, and Sonja Starkmeth.
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- Music & Letters, 2025, v. 106, n. 1, p. 148, doi. 10.1093/ml/gcae085
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Marchitelli, Mascitti e la musica strumentale napoletana fra Sei e Settecento. Guido Olivieri.
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- Music & Letters, 2025, v. 106, n. 1, p. 138, doi. 10.1093/ml/gcae084
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String Virtuosi in Eighteenth-Century Naples: Culture, Power, and Music Institutions. By Guido Olivieri.
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- Music & Letters, 2025, v. 106, n. 1, p. 140, doi. 10.1093/ml/gcae083
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Sundanese Reverberances: Untangling Contradictions about the Gamelan Spectacle at the 1889 Paris World's Fair.
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- Music & Letters, 2025, v. 106, n. 1, p. 58, doi. 10.1093/ml/gcae079
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