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THE AFRICAN AMERICAN COLLECTIONS RELATING TO MUSIC AT EMORY UNIVERSITY'S ROSE LIBRARY.
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- Notes, 2024, v. 80, n. 4, p. 605, doi. 10.1353/not.2024.a928765
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"PRICES OF MUSIC MONOGRAPHS AND SCORES AS REFLECTED IN NOTES": A HISTORY OF AND FUTURE FOR THE COLUMN.
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- Notes, 2024, v. 80, n. 4, p. 632, doi. 10.1353/not.2024.a928766
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NOTES FOR NOTES.
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- Notes, 2024, v. 80, n. 4, p. 636, doi. 10.1353/not.2024.a928767
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Careers in Music Libraries IV.
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- Notes, 2024, v. 80, n. 4, p. 638, doi. 10.1353/not.2024.a928768
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Music Collection Development and Management in the Digital Age.
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- Notes, 2024, v. 80, n. 4, p. 640, doi. 10.1353/not.2024.a928769
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Stories and Lessons from the World's Leading Opera, Orchestra Librarians, and Music Archivists.
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- Notes, 2024, v. 80, n. 4, p. 643, doi. 10.1353/not.2024.a928770
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Computing Taste: Algorithms and the Makers of Music Recommendation.
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- Notes, 2024, v. 80, n. 4, p. 645, doi. 10.1353/not.2024.a928771
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Music for Prime Time: A History of American Television Themes and Scoring.
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- Notes, 2024, v. 80, n. 4, p. 649, doi. 10.1353/not.2024.a928772
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Live Music in America: A History from Jenny Lind to Beyoncé.
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- Notes, 2024, v. 80, n. 4, p. 651, doi. 10.1353/not.2024.a928773
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Vaughan Williams and His World.
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- Notes, 2024, v. 80, n. 4, p. 654, doi. 10.1353/not.2024.a928774
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Ralph Vaughan Williams and Adrian Boult.
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- Notes, 2024, v. 80, n. 4, p. 663, doi. 10.1353/not.2024.a928775
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The Music of Peter Maxwell Davies.
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- Notes, 2024, v. 80, n. 4, p. 666, doi. 10.1353/not.2024.a928776
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Schubert's Workshop/Towards an Early Maturity/Mastery and Beyond.
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- Notes, 2024, v. 80, n. 4, p. 669, doi. 10.1353/not.2024.a928777
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Interwar Symphonies and the Imagination: Politics, Identity, and the Sound of 1933.
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- Notes, 2024, v. 80, n. 4, p. 672, doi. 10.1353/not.2024.a928778
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French Art Song: History of a New Music, 1870-1914.
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- Notes, 2024, v. 80, n. 4, p. 675, doi. 10.1353/not.2024.a928779
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Shy: The Alarmingly Outspoken Memoirs of Mary Rodgers.
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- Notes, 2024, v. 80, n. 4, p. 678, doi. 10.1353/not.2024.a928780
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Madama Butterfly/Madamu Batafurai: Transpositions of a "Japanese Tragedy.".
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- Notes, 2024, v. 80, n. 4, p. 684, doi. 10.1353/not.2024.a928781
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The Musical Language of Italian Opera, 1813-1859.
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- Notes, 2024, v. 80, n. 4, p. 687, doi. 10.1353/not.2024.a928782
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Easily Slip into Another World: A Life in Music.
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- Notes, 2024, v. 80, n. 4, p. 690, doi. 10.1353/not.2024.a928783
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American Popular Song: The Great Innovators, 1900-1950.
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- Notes, 2024, v. 80, n. 4, p. 693, doi. 10.1353/not.2024.a928784
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Women in Rock, Women in Romanticism.
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- Notes, 2024, v. 80, n. 4, p. 695, doi. 10.1353/not.2024.a928785
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Rocking in the Free World: Popular Music and the Politics of Freedom in Postwar America.
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- Notes, 2024, v. 80, n. 4, p. 698, doi. 10.1353/not.2024.a928786
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Musicology of Religion: Theories, Methods, and Directions.
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- Notes, 2024, v. 80, n. 4, p. 700, doi. 10.1353/not.2024.a928787
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Chants, Hypertext, and Prosulas: Re-texting the Proper of the Mass in Beneventan Manuscripts.
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- Notes, 2024, v. 80, n. 4, p. 703, doi. 10.1353/not.2024.a928788
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The American Piano Industry: Episodes in the History of a Great Enterprise.
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- Notes, 2024, v. 80, n. 4, p. 706, doi. 10.1353/not.2024.a928789
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Josef Hofmann: The Piano's Forgotten Giant.
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- Notes, 2024, v. 80, n. 4, p. 708, doi. 10.1353/not.2024.a928790
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On Minimalism: Documenting a Musical Movement.
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- Notes, 2024, v. 80, n. 4, p. 711, doi. 10.1353/not.2024.a928791
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The Way of the Moderns: Six Perspectives on Modernism in Music.
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- Notes, 2024, v. 80, n. 4, p. 716, doi. 10.1353/not.2024.a928792
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BOOKS RECENTLY PUBLISHED.
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- Notes, 2024, v. 80, n. 4, p. 718, doi. 10.1353/not.2024.a928793
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Twenty Etudes and Preludes.
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- Notes, 2024, v. 80, n. 4, p. 727, doi. 10.1353/not.2024.a928794
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Symphonie Nr. 5 in E major ("Lenore"), Op. 177.
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- Notes, 2024, v. 80, n. 4, p. 731, doi. 10.1353/not.2024.a928795
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