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Déodat de Séverac ou Le Chantre du Midi. By Catherine Buser Picard.
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- Music & Letters, 2008, v. 89, n. 3, p. 432, doi. 10.1093/ml/gcm122
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Music Analysis East and West. Ed. by Walter B. Hewlett and Eleanor Selfridge-Field.
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- Music & Letters, 2008, v. 89, n. 3, p. 465, doi. 10.1093/ml/gcm121
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Instrumental Arias or Sonic Tableaux: ‘Voice’ in Haydn's String Quartets Opp. 9 and 17.
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- Music & Letters, 2008, v. 89, n. 3, p. 346, doi. 10.1093/ml/gcm130
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Late Thoughts: Reflections on Artists and Composers at Work. Ed. by Karen Painter and Thomas Crow.
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- Music & Letters, 2008, v. 89, n. 3, p. 415, doi. 10.1093/ml/gcm117
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Music as Philosophy: Adorno and Beethoven's Late Style. By Michael Spitzer.
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- Music & Letters, 2008, v. 89, n. 3, p. 413, doi. 10.1093/ml/gcn028
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Classic Chic: Music, Fashion, and Modernism. By Mary E. Davis.
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- Music & Letters, 2008, v. 89, n. 3, p. 430, doi. 10.1093/ml/gcm079
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Handel's Operas 1726–1741. By Winton Dean.
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- Music & Letters, 2008, v. 89, n. 3, p. 474, doi. 10.1093/ml/gcn027
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Grieg: Music, Landscape and Norwegian Identity. By Daniel M. Grimley.
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- Music & Letters, 2008, v. 89, n. 3, p. 438, doi. 10.1093/ml/gcm118
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Igor Stravinsky, Stravinsky's Histoire du Soldat: A Facsimile of the Sketches. Ed. by Maureen A. Carr.Igor Stravinsky, Les Noces: Study Score, Scènes chorégraphiques russes avec chant et musique composées par Igor Stravinsky. Ed. by Margarita Mazo ...
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- Music & Letters, 2008, v. 89, n. 3, p. 444, doi. 10.1093/ml/gcm101
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Le Juif errant, paroles d’E. Scribe et d’H. V. de Saint-Georges, musique de F. Halévy: Un grand opéra français au début du Second Empire. By Béatrice Prioron-Pinelli.
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- Music & Letters, 2008, v. 89, n. 3, p. 427, doi. 10.1093/ml/gcn014
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Musical Education in Europe (1770–1914): Compositional, Institutional, and Political Challenges. Ed. by Michael Fend and Michel Noiray.
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- Music & Letters, 2008, v. 89, n. 3, p. 435, doi. 10.1093/ml/gcn039
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Maximum Clarity and Other Writings on Music. By Ben Johnston and ed. by Bob Gilmore.
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- Music & Letters, 2008, v. 89, n. 3, p. 458, doi. 10.1093/ml/gcm111
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Vaughan Williams Essays. Ed. by Byron Adams and Robin Wells.
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- Music & Letters, 2008, v. 89, n. 3, p. 405, doi. 10.1093/ml/gcm108
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Whose Phenomenology of Music? David Huron's Theory of Expectation.
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- Music & Letters, 2008, v. 89, n. 3, p. 396, doi. 10.1093/ml/gcn015
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Authors of Articles in this Issue.
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- Music & Letters, 2008, v. 89, n. 3, p. 496, doi. 10.1093/ml/gcn052
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- Article
Music of the Twentieth Century: A Study of its Elements and Structure. By Ton de Leeuw.
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- Music & Letters, 2008, v. 89, n. 3, p. 460, doi. 10.1093/ml/gcm080
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Notes to Contributors.
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- Music & Letters, 2008, v. 89, n. 3, p. 495, doi. 10.1093/ml/gcn050
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- Article
Deutsche Leitkultur Musik? Zur Musikgeschichte nach dem Holocaust. Ed. by Albrecht Riethmüller.
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- Music & Letters, 2008, v. 89, n. 3, p. 453, doi. 10.1093/ml/gcm128
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Musicking Shakespeare: A Conflict of Theatres. By Daniel Albright.
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- Music & Letters, 2008, v. 89, n. 3, p. 484, doi. 10.1093/ml/gcm125
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Le Plaisir musical en France au XVIIe siècle. Ed. by Thierry Favier and Manuel Couvreur.
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- Music & Letters, 2008, v. 89, n. 3, p. 480, doi. 10.1093/ml/gcm106
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The Performance of Italian Basso Continuo: Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries. By Giulia Nuti.
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- Music & Letters, 2008, v. 89, n. 3, p. 476, doi. 10.1093/ml/gcm126
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After Sibelius: Studies in Finnish Music. By Tim Howell.
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- Music & Letters, 2008, v. 89, n. 3, p. 450, doi. 10.1093/ml/gcm077
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Emblems of Mind: The Inner Life of Music and Mathematics. By Edward Rothstein.
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- Music & Letters, 2008, v. 89, n. 3, p. 464, doi. 10.1093/ml/gcm120
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Europe, Empire, and Spectacle in Nineteenth-Century British Music. Ed. by Rachel Cowgill and Julian Rushton.
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- Music & Letters, 2008, v. 89, n. 3, p. 408, doi. 10.1093/ml/gcm109
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Ralph, Adeline, and Ursula Vaughan Williams: Some Facts and Speculation (with a Note about Tippett).
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- Music & Letters, 2008, v. 89, n. 3, p. 337, doi. 10.1093/ml/gcn042
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Cathedral and Civic Ritual in Late Medieval and Renaissance Florence: The Service Books of Santa Maria del Fiore. By Marica S. Tacconi.
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- Music & Letters, 2008, v. 89, n. 3, p. 487, doi. 10.1093/ml/gcn016
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Um das Spätwerk betrogen? Prokofjews letze Schaffensperiode. Ed. by Ernst Kuhn.
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- Music & Letters, 2008, v. 89, n. 3, p. 452, doi. 10.1093/ml/gcm107
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Nationale Musik im 20. Jahrhundert. Kompositorische und soziokulturelle Aspekte der Musikgeschichte zwischen Ost- und Westeuropa. Konferenzbericht Leipzig 2002. Ed. by Helmut Loos and Stefan Keym.
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- Music & Letters, 2008, v. 89, n. 3, p. 421, doi. 10.1093/ml/gcn026
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Léo Delibes, Jean de Nivelle: Dossier de presse parisienne (1880). Edited by Pauline Girard and Bérengère de l’Épine.
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- Music & Letters, 2008, v. 89, n. 3, p. 434, doi. 10.1093/ml/gcm123
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In Havana and Paris: The Musical Activities of Alejo Carpentier.
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- Music & Letters, 2008, v. 89, n. 3, p. 373, doi. 10.1093/ml/gcn033
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Monteverdi, Marenzio, and Battista Guarini's ‘Cruda Amarilli’.
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- Music & Letters, 2008, v. 89, n. 3, p. 311, doi. 10.1093/ml/gcn004
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Catch and Glee Culture in Eighteenth-Century England. By Brian Robins.
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- Music & Letters, 2008, v. 89, n. 3, p. 411, doi. 10.1093/ml/gcm104
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The Westrup Prize.
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- Music & Letters, 2008, v. 89, n. 3, p. 494, doi. 10.1093/ml/gcn048
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- Article
Singing in Style: A Guide to Vocal Performance Practices. By Martha Elliott.
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- Music & Letters, 2008, v. 89, n. 3, p. 472, doi. 10.1093/ml/gcm112
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The Reception of Bach's Organ Works from Mendelssohn to Brahms. By Russell Stinson.
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- Music & Letters, 2008, v. 89, n. 3, p. 419, doi. 10.1093/ml/gcn024
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Essays from the Third International Schenker Symposium. Ed. by Allen Cadwallader.Analysis of Tonal Music: A Schenkerian Approach (Second Edition). By Allen Cadwallader and David Gagné.
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- Music & Letters, 2008, v. 89, n. 3, p. 462, doi. 10.1093/ml/gcm105
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‘Music & Letters’ Awards.
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- Music & Letters, 2008, v. 89, n. 3, p. 496, doi. 10.1093/ml/gcn051
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- Article
Mozart's Piano Music. By William Kinderman.
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- Music & Letters, 2008, v. 89, n. 3, p. 467, doi. 10.1093/ml/gcm110
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Richard Strauss's Orchestral Music and the German Intellectual Tradition: The Philosophical Roots of Musical Modernism. By Charles Youmans.
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- Music & Letters, 2008, v. 89, n. 3, p. 441, doi. 10.1093/ml/gcm114
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Creative Union: The Professional Organization of Soviet Composers, 1939–1953. By Kiril Tomoff.
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- Music & Letters, 2008, v. 89, n. 3, p. 448, doi. 10.1093/ml/gcm119
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- Article
Musicking Shakespeare: A Conflict of Theatres.
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- 2008
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- Book Review
Books Received.
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- Music & Letters, 2008, v. 89, n. 3, p. 497, doi. 10.1093/ml/gcn053
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- Article
Libretto im Progress: Brechts und Weills Aufstieg und Fall der Stadt Mahagonny aus textgeschichtlicher Sicht. By Esbjörn Nyström.
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- Music & Letters, 2008, v. 89, n. 3, p. 440, doi. 10.1093/ml/gcm113
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Recipients of ‘Music & Letters’ Awards.
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- Music & Letters, 2008, v. 89, n. 3, p. 494, doi. 10.1093/ml/gcn049
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- Article
Cathedral and Civic Ritual in Late Medieval and Renaissance Florence: The Service Books of Santa Maria del Fiore.
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- 2008
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- Publication type:
- Book Review
Les Manuscrits du processional, i: Autriche à Espagne. Ed. by Michel Huglo.Les Manuscrits du processional, ii: France à Afrique du Sud. Ed. by Michel Huglo.
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- Music & Letters, 2008, v. 89, n. 3, p. 490, doi. 10.1093/ml/gcn025
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- Article
RECIPIENTS OF 'MUSIC & LETTERS' AWARDS.
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- Music & Letters, 2008, v. 89, n. 3, p. 494, doi. 10.1093/ml/gcn049
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- Article
THE WESTRUP PRIZE.
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- Music & Letters, 2008, v. 89, n. 3, p. 494, doi. 10.1093/ml/gcn048
- Publication type:
- Article
Les Manuscrits du processional, i: Autriche à Espagne. / Les Manuscrits du processional, ii: France à Afrique.
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- 2008
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- Publication type:
- Book Review
BOOKS RECEIVED.
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- Music & Letters, 2008, v. 89, n. 3, p. 497, doi. 10.1093/ml/gcn053
- Publication type:
- Article