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Song, Dance, and Sex: The Social Role of the Carole in Thirteenth-Century Clerical Thought and Vernacular Literature.
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- Music & Letters, 2024, v. 105, n. 2, p. 153, doi. 10.1093/ml/gcae008
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The Liber de tribus ordinibus: Identifying a Treatise Quoted in the Fourteenth-Century Commentum Oxoniense.
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- Music & Letters, 2024, v. 105, n. 2, p. 177, doi. 10.1093/ml/gcad087
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Mahler's Symphony No. 1 in the Centre and on the Periphery.
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- Music & Letters, 2024, v. 105, n. 2, p. 202, doi. 10.1093/ml/gcae026
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'I have just written a song which came out of my soul': Lay Music Production and the Death of President John F. Kennedy.
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- Music & Letters, 2024, v. 105, n. 2, p. 222, doi. 10.1093/ml/gcad088
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Music, Politics and Society in Ancient Rome. Harry Morgan.
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- Music & Letters, 2024, v. 105, n. 2, p. 241, doi. 10.1093/ml/gcae013
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Fragments notés: Paris, Archives Nationales et Solesmes, Abbaye Saint-Pierre. Laura Albiero and Christian Meyer.
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- Music & Letters, 2024, v. 105, n. 2, p. 243, doi. 10.1093/ml/gcae027
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Music and Musicians at the Collegiate Church of St Omer: Crucible of Song, 1350–1550. Andrew Kirkman.
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- Music & Letters, 2024, v. 105, n. 2, p. 244, doi. 10.1093/ml/gcae016
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George Herbert and Early Modern Musical Culture. Simon Jackson.
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- Music & Letters, 2024, v. 105, n. 2, p. 247, doi. 10.1093/ml/gcae018
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Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution. David Charlton.
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- Music & Letters, 2024, v. 105, n. 2, p. 251, doi. 10.1093/ml/gcae011
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Vivre de la musique à Rome au XVIIIe siècle. Élodie Oriol.
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- Music & Letters, 2024, v. 105, n. 2, p. 254, doi. 10.1093/ml/gcae025
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Genealogies of Music and Memory: Gluck in the 19th-Century Parisian Imagination. Mark Everist.
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- Music & Letters, 2024, v. 105, n. 2, p. 255, doi. 10.1093/ml/gcae014
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Beethoven's Conversation Books, iv: Nos. 32 to 43 (May 1823 to September 1823). Theodore Albrecht.
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- Music & Letters, 2024, v. 105, n. 2, p. 258, doi. 10.1093/ml/gcae009
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Book Review.
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- Music & Letters, 2024, v. 105, n. 2, p. 260, doi. 10.1093/ml/gcad049
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England's Folk Revival and the Problem of Identity in Traditional Music. Joseph Williams.
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- Music & Letters, 2024, v. 105, n. 2, p. 261, doi. 10.1093/ml/gcae015
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The Music of Frederick Delius: Style, Form and Ethos. Jeremy Dibble.
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- Music & Letters, 2024, v. 105, n. 2, p. 263, doi. 10.1093/ml/gcae012
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Madama Butterfly/Madamu Batafurai: Transpositions of a 'Japanese Tragedy'. Arthur Groos.
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- Music & Letters, 2024, v. 105, n. 2, p. 265, doi. 10.1093/ml/gcae017
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Music in Twentieth-Century Oxford: New Directions. Robin Darwall-Smith and Susan Wollenberg.
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- Music & Letters, 2024, v. 105, n. 2, p. 267, doi. 10.1093/ml/gcae019
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Revisiting the Historiography of Postwar Avant-Garde Music. Anne-Sylvie Barthel-Calvet and Christopher Brent Murray.
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- Music & Letters, 2024, v. 105, n. 2, p. 270, doi. 10.1093/ml/gcae010
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On Minimalism: Documenting a Musical Movement. Kerry O'Brien and William Robin.
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- Music & Letters, 2024, v. 105, n. 2, p. 272, doi. 10.1093/ml/gcae020
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The Names of Minimalism: Authorship, Art Music, and Historiography in Dispute. Patrick Nickleson.
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- Music & Letters, 2024, v. 105, n. 2, p. 275, doi. 10.1093/ml/gcae024
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The Stage Works of Philip Glass. Robert F. Waters.
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- Music & Letters, 2024, v. 105, n. 2, p. 277, doi. 10.1093/ml/gcae021
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Noise as a Constructive Element in Music: Theoretical and Music-Analytical Perspectives. Mark Delaere.
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- Music & Letters, 2024, v. 105, n. 2, p. 279, doi. 10.1093/ml/gcae022
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To the Editors of 'Music & Letters'.
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- Music & Letters, 2024, v. 105, n. 2, p. 282, doi. 10.1093/ml/gcae007
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Instructions to Authors.
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- Music & Letters, 2024, v. 105, n. 2, p. 284, doi. 10.1093/ml/gcae031
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'MUSIC & LETTERS' awards.
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- Music & Letters, 2024, v. 105, n. 2, p. 286, doi. 10.1093/ml/gcae034
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Authors of Articles in this issue.
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- Music & Letters, 2024, v. 105, n. 2, p. 287, doi. 10.1093/ml/gcae033
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Recipients of 'Music & Letters Awards'.
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- Music & Letters, 2024, v. 105, n. 2, p. 289, doi. 10.1093/ml/gcae032
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- Article