Terribile meraviglia. Animismo artistico, empatia ed ekplexis nella poesia di Giovan Battista Marino.Published in:MLN, 2015, v. 130, n. 1, p. 63, doi. 10.1353/mln.2015.0000By:Ott, ChristinePublication type:Article
Betting Against Themselves: Conflicting Conceptions of Love in Così fan tutte, o: la scola degli amanti.Published in:2015By:Gazzola, GiuseppePublication type:Performance Review
Petrarchan Narratives: Representation and Hermeneutics.Published in:MLN, 2015, v. 130, n. 1, p. 1, doi. 10.1353/mln.2015.0004By:Edwards, Robert R.Publication type:Article
The Dangers and Virtues of Theatricality in Ariosto's Orlando Furioso.Published in:2015By:D'Amico, JackPublication type:Literary Criticism
Naïve Physics and Cosmic Perspective-Taking in Dante's Commedia and Calvino's Cosmicomiche.Published in:MLN, 2015, v. 130, n. 1, p. 24, doi. 10.1353/mln.2015.0006By:Caracciolo, MarcoPublication type:Article
Alessandro Verri and the End of the Philosophical Journey of the European Enlightenment.Published in:MLN, 2015, v. 130, n. 1, p. 86, doi. 10.1353/mln.2015.0001By:Bufalini, RobertPublication type:Article
The Death of the Angel: Games of Seduction and Moral Destruction in Gabriele D'Annunzio's Il Piacere.Published in:2015By:Barisonzi, MichelaPublication type:Literary Criticism