"The Magazine That is Considered the Best in the World": Muriel Spark and the "New Yorker."Published in:2008By:Harrison, LisaPublication type:Essay
A Bibliography of Recent Criticism on Muriel Spark.Published in:2008By:Fisher, AllisonPublication type:Bibliography
Matters of Care and Control: Surveillance, Omniscience, and Narrative Power in "The Abbess of Crewe" and "Loitering with Intent."Published in:2008By:MacLeod, LewisPublication type:Literary Criticism
"Look for One Thing and You Find Another": The Voice and Deduction in Muriel Spark's "Memento Mori."Published in:2008By:Pero, AllanPublication type:Literary Criticism
"Her Lips are Slightly Parted": The Ineffability of Erotic Socially in Muriel Spark's "The Driver's Seat."Published in:2008By:Kemp, JonathanPublication type:Literary Criticism
Stylish Spinsters: Spark, Pym, and the Post-War Comedy of the ObjectPublished in:2008By:Hodgkins, Hope HowellPublication type:Literary Criticism
Muriel Spark and the Meaning of Treason.Published in:2008By:MacKay, MarinaPublication type:Literary Criticism
"Fully to Savour Her Position": Muriel Spark and Scottish Identity.Published in:2008By:Carruthers, GerardPublication type:Literary Criticism
Introduction "A Salutary Scar": Muriel Spark's Desegreted Art in the Twenty-First Century.Published in:Modern Fiction Studies, 2008, v. 54, n. 3, p. 473, doi. 10.1353/mfs.0.1548By:Herman, DavidPublication type:Article