Marcus Nevitt and Tanya Pollard, eds., Reader in Tragedy: An Anthology of Classical Criticism to Contemporary Theory.Published in:2020By:Kornhaber, DavidPublication type:Book Review
Paul Rae, Real Theatre: Essays in Experience.Published in:2020By:Read, AlanPublication type:Book Review
Yana Meerzon, ed., Theatre and (Im)migration. New Essays on Canadian Theatre Series.Published in:2020By:Wake, CarolinePublication type:Book Review
Patrick Lonergan, Irish Drama and Theatre since 1950.Published in:2020By:Mannion, ElizabethPublication type:Book Review
Daphne P. Lei, Uncrossing the Borders: Performing Chinese in Gendered (Trans)Nationalism.Published in:2020By:Bao, HuaiPublication type:Book Review
Renata Kobetts Miller, The Victorian Actress in the Novel and on the Stage.Published in:2020By:Williams, CarolynPublication type:Book Review
Milija Gluhovic and Jisha Menon, eds., Performing the Secular: Religion, Representation, and Politics.Published in:2020By:Mazer, SharonPublication type:Book Review
Dance Nation and Its Representational Challenges.Published in:2020By:Gainor, J. EllenPublication type:Literary Criticism
Contemporary African-American Drama at Visuality's Limits.Published in:2020By:Frisina, Kyle C.Publication type:Literary Criticism
Between Paper and Performance: Suspicion, Race, and Casting in The Piano Teacher.Published in:2020By:Kim, Ju YonPublication type:Literary Criticism
Intimacy and Isolation in Jen Silverman's Gothic Worlds.Published in:2020By:Cummings, Lindsay B.Publication type:Literary Criticism
The Indian in the Kitchen: Colonialism, Cultural Identity, and Food in August: Osage County.Published in:Modern Drama, 2020, v. 63, n. 2, p. 221, doi. 10.3138/md.63.2.1028rBy:Fahy, ThomasPublication type:Article