Tragedy and the Common Goat: Deperformative Poetics in Edward Albee's The Goat, or Who Is Sylvia?Published in:Modern Drama, 2017, v. 60, n. 4, p. 501, doi. 10.3138/MD.0866By:SOFER, ANDREWPublication type:Article
Reunion, Complication, Refraction, and Translation: How Postcolonialism and Post-Structuralism Mark Bengal Tiger at the Baghdad Zoo.Published in:Modern Drama, 2017, v. 60, n. 4, p. 480, doi. 10.3138/MD.0859By:PROUDFIT, SCOTTPublication type:Article
Annawadi on the South Bank: Global Neoliberalism and Spatial Contingency in Behind the Beautiful Forevers.Published in:Modern Drama, 2017, v. 60, n. 4, p. 407, doi. 10.3138/MD.0848By:CLAYCOMB, RYANPublication type:Article
"To Follow Pleasure's Sway": Atomism in Sarah Ruhl's The Clean House.Published in:Modern Drama, 2017, v. 60, n. 4, p. 428, doi. 10.3138/MD.0818RBy:HELLER, JENNIFERPublication type:Article
Contemporary French Drama and the Stupidity of/in the Capitalist Labour Pool: The Case of Joël Pommerat.Published in:Modern Drama, 2017, v. 60, n. 4, p. 448, doi. 10.3138/MD.0808By:ESSIF, LESPublication type:Article
Theatre, Time and Temporality: Melting Clocks and Snapped Elastics.Published in:2017By:Wagner, MatthewPublication type:Book Review
Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life.Published in:2017By:Kruger, LorenPublication type:Book Review
After '89: Polish Theatre and the Political.Published in:2017By:Tamara TrojanowskaPublication type:Book Review
Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91.Published in:2017By:Radosavljević, DuškaPublication type:Book Review
From Scenarios to Networks: Performing the Intercultural in Colonial Mexico.Published in:2017By:Ybarra, PatriciaPublication type:Book Review
Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda.Published in:2017By:Lei, Daphne P.Publication type:Book Review
A Global Doll's House: Ibsen and Distant Visions.Published in:2017By:Krouk, DeanPublication type:Book Review