Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power.Published in:2017By:Durbach, ErrolPublication type:Book Review
Reckoning with Spirit in the Paradigm of Performance.Published in:2017By:Chambers, Claire MariaPublication type:Book Review
The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North.Published in:2017By:Nyong'o, TaviaPublication type:Book Review
Plowed Under: Food Policy Protests and Performance in New Deal America.Published in:2017By:Witham, Barry B.Publication type:Book Review
Skin Acts: Race, Psychoanalysis, and the Black Male Performer.Published in:2017By:Post, TinaPublication type:Book Review
Grotowski's Bridge Made of Memory: Embodied Memory, Witnessing and Transmission in the Grotowski Work.Published in:2017By:Salata, KrisPublication type:Book Review
All Dressed Up: Modern Irish Historical Pageantry.Published in:2017By:Roche, AnthonyPublication type:Book Review
Dramatizing Queer Visibility in El público: Federico García Lorca in Search of a Modern Theatre.Published in:2017By:DE WITTE, BENPublication type:Essay
Taphonomic Historiography: Excavating and Exhuming the Past in Suzan-Lori Parks's The America Play.Published in:2017By:SPALINK, ANGENETTEPublication type:Essay
Looking After the Drainage: Health, Marketing, and the Turkish Bath in Bernard Shaw's Misalliance.Published in:Modern Drama, 2017, v. 60, n. 1, p. 89, doi. 10.3138/MD.0812By:WIXSON, CHRISTOPHERPublication type:Article
Samuel Beckett's Krapp's Last Tape: Remembering Kant, Forgetting Proust.Published in:Modern Drama, 2017, v. 60, n. 1, p. 46, doi. 10.3138/md.0780By:WILSON, SUEPublication type:Article
Still: Sarah Kane after Beckett and Joy Division.Published in:2017By:HARRIES, MARTINPublication type:Essay