Still: Sarah Kane after Beckett and Joy Division.
- Published in:
- 2017
- By:
- Publication type:
- Essay
Works matching IS 00267694 AND DT 2017 AND VI 60 AND IP 1
Results: 13
1
2
The Theatre of David Henry Hwang.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
3
The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
4
Grotowski's Bridge Made of Memory: Embodied Memory, Witnessing and Transmission in the Grotowski Work.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
5
Plowed Under: Food Policy Protests and Performance in New Deal America.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
6
Skin Acts: Race, Psychoanalysis, and the Black Male Performer.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
7
Reckoning with Spirit in the Paradigm of Performance.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
8
Taphonomic Historiography: Excavating and Exhuming the Past in Suzan-Lori Parks's The America Play.
- Published in:
- 2017
- By:
- Publication type:
- Essay
9
Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
10
Looking After the Drainage: Health, Marketing, and the Turkish Bath in Bernard Shaw's Misalliance.
- Published in:
- Modern Drama, 2017, v. 60, n. 1, p. 89, doi. 10.3138/MD.0812
- By:
- Publication type:
- Article
11
Samuel Beckett's Krapp's Last Tape: Remembering Kant, Forgetting Proust.
- Published in:
- Modern Drama, 2017, v. 60, n. 1, p. 46, doi. 10.3138/md.0780
- By:
- Publication type:
- Article
12
All Dressed Up: Modern Irish Historical Pageantry.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
13
Dramatizing Queer Visibility in El público: Federico García Lorca in Search of a Modern Theatre.
- Published in:
- 2017
- By:
- Publication type:
- Essay