Rethinking Play Texts in the Age of Mediatization: Simon Stephens's Pornography.Published in:Modern Drama, 2015, v. 58, n. 2, p. 238, doi. 10.3138/MD.0693R1.84By:ILTER, SEDAPublication type:Article
Dramas of the Past on the Twentieth-Century Stage: In History's Wings.Published in:2015By:Frese Witt, Mary AnnPublication type:Book Review
The Theatre of Naomi Wallace: Embodied Dialogues.Published in:2015By:Barnett, ClaudiaPublication type:Book Review
Modernity, Community, and Place in Brian Friel's Drama.Published in:2015By:Richards, ShaunPublication type:Book Review
Theatre in the Expanded Field: Seven Approaches to Performance.Published in:2015By:Worthen, W. B.Publication type:Book Review
Music for the Melodramatic Theatre in Nineteenth-Century London and New York.Published in:2015By:Miller, DerekPublication type:Book Review
The Kwagh-hir Theater: A Weapon for Social Action.Published in:2015By:Osakwe, ChimaPublication type:Book Review
The Politics of Interweaving Performance Cultures: Beyond Postcolonialism.Published in:2015By:Latrell, CraigPublication type:Book Review
Reading Collage Drama as Documentary Drama: Trash Archives and Dissensus in Charles L. Mee's Lives of the Artists.Published in:Modern Drama, 2015, v. 58, n. 2, p. 218, doi. 10.3138/MD.0702R.64By:YOUKER, TIMOTHYPublication type:Article
"Attention Must Be Paid": Death of a Salesman's Counter-Adapted Yiddish Homecoming.Published in:Modern Drama, 2015, v. 58, n. 2, p. 194, doi. 10.3138/MD.0683.40By:CAPLAN, DEBRAPublication type:Article
Prison, Time, Kairos in Langston Hughes's Scottsboro, Limited.Published in:Modern Drama, 2015, v. 58, n. 2, p. 171, doi. 10.3138/MD.0662R.17By:RYAN, KATYPublication type:Article
Messianism and the Third Kingdom: Intimations of the Twentieth Century in Ibsen's An Enemy of the People.Published in:2015By:YDE, MATTHEWPublication type:Literary Criticism